by Joan DeJean ‧ RELEASE DATE: July 14, 2005
Readers low and high will find this a winning companion, with excellent sources.
An obsequiously titled but ultimately compelling study of the legacy of Louis XIV’s reign.
Once past the gloppy generalizations that try needlessly to snare the interest of nonscholars by dropping insipid anachronisms like “ladies who lunched” and “interior decoration’s ultimate bling-bling,” DeJean (French/Univ. of Pennsylvania) provides an intelligent, well-documented history of the luxury items taken for granted today that have also defined the culture of France. Essentially, the long, glorious rule of the Sun King, from 1660 to 1715, “unleashed desires that now seem fundamental” and inaugurated a program for redefining France as the land of luxury and glamour, often through a ruthless cornering of the market. As Louis’s obsession with style created the desire for fantastically luxurious goods, such as shoes, hosiery, diamonds and mirrors, his wily protectionist prime minister, Jean-Baptiste Colbert, worked with the business elite to ensure that France would become a mercantile superpower. The profession of the coiffeur, for example, seems to have been single-handedly invented by le sieur Champagne, whose unique touch with aristocratic hairdos instigated the first “brand recognition.” DeJean examines the important tool of the “fashion plates,” literally engravings, that served to advertise the luxurious new goods to the public, while Donneau de Vise’s newspaper, Le Mercure galant, became the first fashion organ aimed at provincial women dreaming of becoming as chic as the great ladies of Versailles. La Varenne brought butter and vegetables into the kitchen; cafes sprang up to serve the new coffee beverage and provide people with somewhere to go in a city newly lighted by state-of-the-art lanterns; and champagne, thanks to the tireless trial-and-error of the cellar master of Hautvillers, Dom Perignon, exploded on the scene. DeJean does a superb job of rendering comprehensible the new technology of mirror-making, while she relegates to a footnote, unfortunately, the ascendancy during this period of the classical French language.
Readers low and high will find this a winning companion, with excellent sources.Pub Date: July 14, 2005
ISBN: 0-7432-6413-4
Page Count: 320
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
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BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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