None
Not unexpectedly, and with customary flair, Didion ignores the traditional features of Miami, looks briefly at tense race relations, white flight, and a saturated real-estate market, and concentrates on a kind of second city, the community of Cuban exiles who have prospered even as they pursue la lucha, the straggle. This is, of course, the kind of scene she favors: political intrigue and moral issues dominate conversations, and young girls celebrate their birthdays dressed in tiaras and fur-trimmed capes. Although her focus is idiosyncratically selective and at times her flinty, mannered style nearly parodies itself ("Hot dogs were passed, and Coca-cola spilled"), overall she is in control of this consistently engrossing material. In the 60's, Cuban refugees took the unskilled jobs that might have been offered to blacks. Many also worked (without formal government acknowledgement) for the CIA, fueled by a series of apparently intentional deceptions about policy. Exile was—is—"the organizing principle" of their lives, and the men of the 2506 Brigade (the unsupported invasion force) remain grand heroes. "I would say that John F. Kennedy is still the number two most hated man in Miami," a failed mayoral candidate volunteers, and Didion emphasizes reports linking exiles to the assassination (and reminds of Cuban involvement in Watergate and the Iran/contra tangles). Nowadays many of these men are wealthy and powerful, highly visible within the exile community, often unknown to non-Cuban citizens. Much of this information comes from conventional sources: the Herald, passionate loyalists, a university study. But this Miami is no "rich and wicked pastel boomtown," as the semi-official image would have it. Didion presents a more complex and genuinely dramatic situation, inflecting her work with astute observations about the city's unique political circumstances and lingering on the kinds of details that have colored her other writings: a hotel offering "guerrilla discounts," a gun shop advertising Father's Day specials, house blessed with "Unusual Security and Ready Access to the Ocean." Another persistently stylish report that, with its JFK references and drug-runner allusions, has even more outreach than usual.
None NonePub Date: Oct. 9, 1987
ISBN: 0679781803
Page Count: 238
Publisher: Simon & Schuster
Review Posted Online: Oct. 10, 2011
Kirkus Reviews Issue: Sept. 15, 1987
PERSPECTIVES
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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