by Joan Dunning ‧ RELEASE DATE: Nov. 15, 2013
An engaging detective gets support from neither other characters nor the plot in this laborious outing.
In Dunning’s debut novel, a woman’s suspicious death in a Kentish country home brings together an assemblage of London and local police with the residents of the subdivided house.
Detective Superintendent Charles Blower, a venerable member of London’s Metropolitan Police, becomes involved in an investigation at Benfield House when a woman is discovered dead in one of the flats. He is induced to investigate the supposedly accidental death by his good friend Alex Pike, a friend of the flat’s absent owner. The caretaker’s far-fetched explanation for the woman’s death—that it was an inadvertent piercing while she sat under a window that spontaneously shattered—makes Blower and Pike wary of the caretaker, an annoying Cockney named Albert Drew. Superintendent Blower and company must first determine the woman’s identity and then the reason for her ill-fated visit. Next, he must find out which of the many colorful denizens of Benfield House, her family or her associates might have had a motive to kill her. Although murder is extremely unusual in the quaint Kentish town, burglaries have become commonplace, and Benfield House is the site of one amid Blower’s investigation. Eventually, all the culprits are apprehended and arrested, but not before hundreds of cups of tea have been prepared and served, along with endless customary English meals. Very little action fills the spaces between the “cuppas” and comestibles, though much is left to tin-eared dialogue, including the transliterated Cockney of Mr. Drew: “[Y]eah, ’es the bloke what’s ’avin’ it off wiv ’er in number four ain’ ’e.” Adding to the difficulty deciphering the dialect is the author’s sporadic use of simple punctuation, commas especially. This leads to many confusing sentences: “Conspiracy to murder Thomas?” or “We’ll shout darling if anything really startling comes up.” The sophistication of the crime fighters strains credulity when the issue of acquiring mobile phones for members of the force is brought up at least 10 times; a training session is held to familiarize officers with “this amazing device, which, I’m prepared to bet, will revolutionize communications and crime solving in the next ten years or so.”
An engaging detective gets support from neither other characters nor the plot in this laborious outing.Pub Date: Nov. 15, 2013
ISBN: 978-1491883280
Page Count: 254
Publisher: AuthorHouse
Review Posted Online: Feb. 18, 2014
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Eric M.B. Becker
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by Paulo Coelho ; translated by Zoë Perry
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