An intriguing art- and history-filled tribute to an oft-overlooked dynamic woman.
Fernandez’s historical novel chronicles the life of Vincent van Gogh’s sister-in-law, whose passion and tireless efforts brought recognition and fame to the prolific artist’s work.
Jo van Gogh has been married to Vincent’s brother Theo for just 22 months. After suffering a mental breakdown, Theo has been in an institution for the past three months, and Jo awaits his return. She opens the door to her brother Dries, expecting to see her husband standing with him. Instead, Dries tells her that Theo has died, leaving Jo to raise their infant son alone and bequeathing her Vincent’s works (this occurs barely half a year after the painter’s suicide). Theo was the manager of a prestigious gallery in Paris’ artsy Montmartre district, and he was his brother’s enthusiastic representative. But Vincent’s bold impressionist paintings are treated with disdain by Paris’ elite traditionalist art purveyors, and they are the ones who control the market. A distraught Jo faces a decision—her father wants her to leave Paris and move back to her family home in Holland with the baby Vincentje, but she refuses to live under his rule again. Instead, she rents a boarding house in the small Dutch town of Bussum and turns it into a guesthouse. She brings with her Vincent’s extensive collection of original paintings and drawings, which she intends to exhibit and begin selling. With Theo’s devotion to his brother and her own passion for her brother-in-law’s paintings and drawings as her inspirations, Jo enters a battle fraught with danger, working determinedly to combat her own insecurities (“She’d always doubted herself, always assumed others knew best”) and the scorn of family, friends, and Vincent’s enemies. Through prodigious research, which involved combing through Vincent’s letters to Theo and their fragile sister, Fernandez crafts a compelling narrative that depicts Vincent’s internal struggles as well as the cutthroat business side of the art world and the societal changes roiling the turn of the century. Despite occasionally repetitive descriptions of the paintings, readers are likely to find themselves searching out images of the works Fernandez portrays so lovingly.
An intriguing art- and history-filled tribute to an oft-overlooked dynamic woman.Pub Date: April 15, 2025
ISBN: 9781647428709
Page Count: 384
Publisher: She Writes Press
Review Posted Online: Oct. 10, 2024
Kirkus Reviews Issue: Dec. 15, 2024
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
