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WHO NEEDS PARIS?

A satisfying story of love, redemption and finding oneself for fiction-loving Francophiles.

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A woman returns to the scene of a disastrous love affair in Meyerson’s Paris-set romance.

In 1977, Kate Miller works in documentary production in Los Angeles, living comfortably in her own house with her loving dog. When her longtime collaborator, Patrice Carrière, asks her to work a shoot at the American Film Festival in Deauville, Kate is reluctant to move to Paris; “I’d been to Paris once before, and once had been more than enough.” The narrative is split between 1977 and 1964—it’s in the earlier timeline that the reader learns that Kate once lived in Paris, moving there with her close friend, Susan, to study after college. When Susan suddenly runs off to London to pursue a love affair, Kate is left behind to study alone at the Sorbonne, and she soon meets François Granier. Kate and François’ love affair is all-consuming; Kate must confront its fallout when she returns to Paris over a decade later. The author’s use of two concurrent timelines is masterful, pacing the story in an exciting way that hooks the reader, enabling them to understand Kate’s reluctance to return to a city she was once desperate to discover. Equally fascinating are the historical details about Paris and Los Angeles in the 1960s and 1970s, with references to women’s marches and bodily autonomy and abortion rights. Meyerson crafts a narrative in which romance, though life-changing, is not the only order of the day; the true journey is the one Kate embarks upon for herself. City of Lights enthusiasts will appreciate the many vivid settings around Paris.

A satisfying story of love, redemption and finding oneself for fiction-loving Francophiles.

Pub Date: Nov. 14, 2023

ISBN: 9798985057652

Page Count: 348

Publisher: Hadleigh House

Review Posted Online: Oct. 4, 2023

Kirkus Reviews Issue: Nov. 15, 2023

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DEEP END

A surprisingly sensual sports romance.

A collegiate diver and swimmer secretly pursue kink together, and risk falling in love along the way.

Scarlett Vandermeer is struggling. Despite a successful recovery from the injury that almost ended her Stanford diving career, she hasn’t been able to get her head together, and it’s affecting her performance. Plus, she’s trying to stay focused on getting into medical school. A relationship would be out of the question. By comparison, Lukas Blomqvist is a swimming idol, a record-breaker who wins medals as easily as breathing, and Scarlett has long been convinced he would never look in her direction—until one fateful night when a mutual friend lets slip that they have something unexpected in common: Scarlett likes to be submissive in the bedroom, while Lukas prefers to take a dominant approach. Now, they both know a big secret about each other, and it’s something neither of them can stop thinking about. It’s Lukas who suggests they have a fling—purely physical, just to take the edge off, so Scarlett can get out of her own head and stop overthinking her dives. Initially, their arrangement is easy to stick to, but the more time they spend together, the more Scarlett starts to realize that what she feels for Lukas is more than physical attraction. Complicating the situation is the fact that Scarlett’s friend Penelope Ross used to go out with Lukas, and the longer Scarlett keeps mum about her true feelings for him, the more difficult it is to keep the situation hidden from another person she really cares about. While Scarlett and Lukas’ relationship does begin as a physical one, their deeper psychological connection takes a little too long to emerge amid all the other storylines, resulting in a somewhat rushed resolution. However, Hazelwood’s latest is proof of the depth and maturity that has emerged in her writing over the years, and it highlights her embrace of sexier, more emotional elements than were present in her original STEMinist rom-coms.

A surprisingly sensual sports romance.

Pub Date: Feb. 4, 2025

ISBN: 9780593641057

Page Count: 464

Publisher: Berkley

Review Posted Online: Dec. 28, 2024

Kirkus Reviews Issue: Feb. 1, 2025

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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