Philosophical and earthy, tragic and funny, honest, raw, superb: Sales makes Hemingway seem thin, even anemic, in...
Catalan writer Sales tells a multilayered story of loves, faith, friendships, and ideals tested by the Spanish Civil War in this novel banned by Franco's censors, then published in 1956 after the author's return from exile.
Former school friends Lt. Lluís Ruscalleda and Juli Soleràs are reunited in a republican brigade on the Aragon front, fighting "for hygiene and culture" against the fascist forces. In a sacked monastery, Lluís salvages books and searches for a missing certificate for the mysterious lady of the castle. When tins of condensed milk go missing, Soleràs brags of stealing "from soldiers on the front line to give to whores in the rearguard." Sales draws on his own experience in a similar brigade, fighting for Catalan independence; he brings a new perspective to the civil war and writes with authority about "half-burnt bread" and "the sad, obscene songs the recruits sang." But it is the compelling depth of the varied, complex, human characters that shows his true mastery. Lluís wonders, "Which part of us must remain unchangeable? Are we so sure it's more valuable than the part that leaves us at every moment? Or are we entirely ghostlike, clouds whose single hope is to live a moment of glory, one solitary moment, and then vanish?" In Barcelona, Trini Milmany, a geologist and mother of Lluís' son, considers "what the success of these winners represents in terms of geology—less perhaps than that of a mosquito from the Carboniferous Age." The glorious possibility of a Catalan republic devolves into what one disillusioned anarchist calls this "sinister revolutionary carnival," adding, "Our ideals were so beautiful...when nobody had tried to put them into practice!" Amid the horror, the thirst for glory persists: "We have acted like men and we've acted like wild beasts...how can anyone now ever become a notary?" There are moments of transcendent beauty: a castle imagined as "a frigate of stone, people and animals all on board, all sailing together in this huge ship that seems still but is moving across the ocean of time"; a character walking through a town's snow-covered ruins as if "wading through the remnants of a shipwreck." And of humor: "The worst side to wars is the fact they're turned into novels," Soleràs complains. "Foreigners will turn this huge mess into stirring stories of bullfighters and gypsies."
Philosophical and earthy, tragic and funny, honest, raw, superb: Sales makes Hemingway seem thin, even anemic, in comparison. This book is a rich and highly recommended feast.Pub Date: Oct. 10, 2017
ISBN: 978-1-68137-180-1
Page Count: 464
Publisher: New York Review Books
Review Posted Online: July 16, 2017
Kirkus Reviews Issue: Aug. 1, 2017
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
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