A marvelous celebration of inner strength and courage.
A young capoeirista learns to reawaken his ginga.
Anticipation blooms as the day of Lucas’ batizado, or moving-up ceremony, arrives. Dressed in his abadá, Lucas shows off his capoeira moves with each swift kick and arm swing. If he can demonstrate his finest moves to the roda (or circle) before Mestre sweeps him to the ground, Lucas will receive a new corda and a cool nickname. As Lucas practices, his little sister, Lilica, joins in, falling in the process. Tears come, and Mamãe consoles her: “It happens. We all lose our confidence from time to time.” Uh-oh. Will a suddenly nervous Lucas lose his ginga at the capoeira circle? At the park, the roda welcomes Lucas and his family, and the batizado commences. Lucas’ friends demonstrate their moves one by one until the Mestre calls for Lucas. Unable to move, Lucas grabs his dependable tamborim and drums to the rhythm—“tuk-tuk-tek”—to regain his ginga. Full of dynamic language set at a precise pace, Pastro’s cadenced prose builds up Lucas’ inner journey through the rush of initial excitement, anxieties of creeping dreads, and joys of eventual triumph. Similarly, Lopes’ superb artwork depicts the elegance of capoeira via larger-than-life stances and extravagant gestures, all shaded in warm colors. A quick addendum provides details on the historical importance of capoeira and its role in Afro-Brazilian culture. Lucas and his family read Black, while the capoeira circle is racially diverse.
A marvelous celebration of inner strength and courage. (glossary) (Picture book. 4-8)Pub Date: Sept. 24, 2024
ISBN: 9781665924771
Page Count: 40
Publisher: Atheneum
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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