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THE ICE MUSEUM

IN SEARCH OF THE LOST LAND OF THULE

A lambent chronicle of wandering north and encountering an old idea brought forcibly into a new age.

“What had happened . . . to the idea of remoteness, the sense of magisterial nature embodied in the word ‘Thule’?” asks British journalist Kavenna, who went to find out.

Ultima Thule: a glazed landscape pure and haunting, a northerly myth, frozen in silence, strange and disconcerting, far and gone. Pytheas said he had been there, Pliny the Elder felt free to describe it, Strabo had nothing but scorn to heap upon the notion, the Venerable Bede figured it was Iceland. Thule was the pea under Kavenna’s mattress; she longed to seek out “the consolations of a perfect view, the tranquility of slowness.” But where was Thule? The author followed many wayward suggestions: to Norway and Shetland and Iceland, Estonia, Greenland and Spitsbergen. She is a chromatic, poised writer with an eye for evocative images. In Oslo she heard “atonal bells striking eight outside”; in the Shetlands she “found a gate singing in the wind, and an oval-shaped ruin a few feet high.” She journeyed to Iceland, where the Victorians encountered “the devil holes, the sulphur pots, the lairs of Beelzebub,” and to the Norwegian archipelago of Spitsbergen, a two-tone frieze of rock and ice. She inhaled explorers, writers and politicos—Fridtjof Nansen, Halldór Laxness and Vidkun Quisling, for starters—as she took the measure of the Thule Society (a group also concerned with racial purity) and the bleached unknowingness of the Thule Air Base, a Cold War relic in a long line of pretenders stealing a vibrant name for political purposes. For Kavenna, Thule will always be an ancient fragment of desire and unease, a play of colors on the ice, beautiful and silent.

A lambent chronicle of wandering north and encountering an old idea brought forcibly into a new age.

Pub Date: Feb. 6, 2006

ISBN: 0-670-03473-8

Page Count: 294

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 1, 2006

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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