Diverting.
In Tarian, a magical forest fights the kings’ railroads and telegraphs, and a young man is caught in the crossfire.
Owen, 17, raises his sister and keeps house by day while maintaining star charts for the king by night. Across the wall that edges his garden, the Gwydden, the power in the woods who has turned eight birches into her humanoid tree-siren daughters, steals souls and has her daughters kill in scenes reminiscent of a literary horror novel. Owen’s present-tense, first-person narration alternates with the jagged, vaguely poetic narration of Seren, the Gwydden’s youngest daughter, who no longer wants to kill for her mother. Centered on the relationship between Owen and the tree siren, this is a story with limited space for secondary characters, although an intriguing background mythos reveals itself through Owen’s and Seren’s stories. The emphasis on souls—evil feeds on them, the tree siren longs for one, and their importance, along with hearts, anchors much of the magic—lends a Christian moral code to an otherwise firmly fantastical setting that has a Welsh flavor. Familiar motifs, such as wilderness versus technology, a witch versus a king, and star-crossed lovers, placed in unfamiliar settings ensure that this dark romantic fantasy fulfills expectations without becoming formulaic. Owen is White in a world with some racial diversity and no prejudice.
Diverting. (Romantic fantasy. 12-18)Pub Date: Jan. 12, 2021
ISBN: 978-1-64567-170-1
Page Count: 368
Publisher: Page Street
Review Posted Online: Oct. 11, 2020
Kirkus Reviews Issue: Nov. 1, 2020
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
Exactly what the title promises.
A grieving teen’s devotion to romance films might ruin her chances at actual romance.
Liz Buxbaum has always adored rom-coms, not least for helping her still feel close to her screenwriter mother, who died when she was little. Liz hopes that her senior year might turn into a real-life romantic fantasy, as an old crush has moved back to town, cuter and nicer than ever. Surely she can get Michael to ask her to prom. If only Wes, the annoying boy next door, would help her with her scheming! This charming, fluffy concoction manages to pack into one goofy plot every conceivable trope, from fake dating to the makeover to the big misunderstanding. Creative, quirky, daydreaming Liz is just shy of an annoying stereotype, saved by a dry wit and unresolved grief and anger. Wes makes for a delightful bad boy with a good heart, and supporting characters—including a sassy best friend, a perfect popular rival, even a (not really) evil stepmother—all get the opportunity to transcend their roles. The only villain here is Liz’s lovelorn imagination, provoking her into foolish lies that cause actual hurt feelings; but she is sufficiently self-aware to make amends just in time for the most important trope of all: a blissfully happy ending. All characters seem to be White by default.
Exactly what the title promises. (Romance. 12-18)Pub Date: May 4, 2021
ISBN: 978-1-5344-6762-0
Page Count: 368
Publisher: Simon & Schuster
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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