Scott’s luminous prose, references to world events and hints of magical realism never quite coalesce, but Sally is a...
Scott (Everybody Loves Somebody, 2006, etc.) follows the life journey of an impoverished farm girl who repeatedly reinvents herself as she moves from town to town in northern Pennsylvania.
In 1947, 16-year-old Sally Werner, the daughter of German immigrants, is seduced and impregnated by a cousin. Leaving behind her newborn son, she runs away and begins a new life in a small community along the Tuskee River. But when someone from home recognizes her, Sally panics. She steals cash from her kindly employer and runs further north to a new town where she calls herself Sally Angel. She falls in love with a teenager named Mole who makes her genuinely happy until local rich boy Benny carelessly runs Mole’s car off the road. Unaware of his role in Mole’s death, grief-stricken Sally has a brief affair with Benny before she senses his mean streak. She runs again although she soon realizes she is carrying Benny’s baby. As Sally Mole she finds friendship, a good job and a satisfying life with her daughter Penelope in the town of Tuskee until Benny finds her and beats her up. Correctly fearing that he’ll attempt to take her daughter away, Sally runs with Penelope to Rondo where as Sally Bliss she raises Penelope while working as a legal secretary and carrying on a romance with her married boss. Sally’s story is narrated by her granddaughter, who is also tracing her own parental history. Penelope never knew why her fiancé Abe disappeared before the narrator’s birth, although early on the narrator drops the bombshell—Abe left when Sally told him he was her long-lost son. The romantic tragedy is that Sally was mistaken. The novel begins to peter out when Abe initiates contact with the narrator to give her the facts. Abe’s story is just not as interesting as Sally’s.
Scott’s luminous prose, references to world events and hints of magical realism never quite coalesce, but Sally is a character of mythic proportions.Pub Date: April 22, 2009
ISBN: 978-0-316-05165-1
Page Count: 400
Publisher: Little, Brown
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 2009
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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