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LIBERATION

Unequal to Scott’s best work (The Manikin, 1996, etc.), but her voice remains one of contemporary fiction’s most eloquent...

Scott continues to swim against the literary mainstream with her seventh novel, set on the island of Elba and in the mind and memory of an elderly Italian-American woman.

In 1944, she was ten-year-old Adriana Nardi, the sheltered daughter of a wealthy family whose comfortable estate (“La Chiatta”) was a safe haven during climactic battles between Nazi and Fascist troops and the Allied armies pledged to liberate Elba (a storied place known as Napoleon’s place of exile). In the present day, she is Newark matron Mrs. Robert Rundel, who on the day after her 70th birthday, suffers a pulmonary embolism while aboard a train approaching New York’s Penn Station—as she indulges emotional reminiscences of that long-ago “liberation.” Scott juxtaposes expertly the thoughts of impulsive young Adriana and those of the Senegalese soldier she finds, hurt and hiding: Senegalese teenager Amdu Diop, who had become separated from his regiment, and who is—at Adriana’s urging—given shelter at La Chiatta. It’s a rich premise, but the story’s action lags for too long behind redundant (albeit vivid and credible) declarations of Adriana’s adoring fascination with the dark exotic stranger, and Amdu’s charmingly naïve envisionings of himself as a potential humanitarian and savior (perhaps even a saint), whose ineptness as a fighting man threaten his exile from the virtual Eden that is liberated Elba. The narrative is enriched by Scott’s renderings of the thoughts of intelligent Nardi matriarch Giulia and of her inanely self-centered brother Mario (whose actions precipitate tragic misunderstandings). But similar use of Mrs. Rundel’s fellow train passengers amount to no more than pointless distractions. Amdu and Adriana are nevertheless powerfully appealing figures, and they alone (and together) make this ungainly novel well worth reading.

Unequal to Scott’s best work (The Manikin, 1996, etc.), but her voice remains one of contemporary fiction’s most eloquent and essential.

Pub Date: Nov. 8, 2005

ISBN: 0-316-01053-7

Page Count: 240

Publisher: Little, Brown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2005

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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