Love comes late but abundantly to Frances, long pitied by her twin sister and her family for always being an also-ran. Like her illustrious ancestor, Trollope (The Choir, 1995, etc.) is a clear-eyed recorder of the sudden domestic tempests that roil even the most placid backwaters of English life, tempests fueled by the ties of family affection and habit. As the family gathers for Christmas at the lovingly restored Georgian house of Lizzie and Robert in a village near Bath, long-simmering discontents and new threats from the outside appear to threaten both Lizzie's marriage and her relationship with twin sister Frances. Lizzie, the dominant twin, seems to have it all: a beautiful home, four healthy children, and a loving husband with whom she is a partner in a successful gallery and design shop. Frances, on the other hand, has drifted through life pitied by Lizzie for not fulfilling her potential. Though she owns a prospering travel business, Frances, now in her late 30s, is unmarried, and she resents Lizzie's sympathy, which she finds condescending. But when Frances meets and falls in love with Luis Moreno, a married Spanish businessman, Lizzie is ashamed and surprised by her envious reaction to Frances's happiness. While Frances's love affair unfolds, Lizzie's secure life crumbles: The recession hurts her business; she quarrels with Robert; they lose their house; and she has to take a dull secretarial job to bring in money. Frances's decision to have Luis's baby and live in Spain as a single mother brings Lizzie's long-buried envy of the newly independent Frances to a head. The sisters clash, and Frances in turn helps Lizzie admit her jealousy and self-pity. Life improves for Lizzie and Robert, while Frances turns to face new challenges, confidently, with no regrets. A wonderfully wise and bracingly honest novel that celebrates happiness and the good, quiet things that sustain the human spirit. (Book-of-the-Month Club selection; author tour)
Pub Date: Feb. 1, 1997
ISBN: 0-679-42586-1
Page Count: 336
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1996
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.
Sisters work together to solve a child-abandonment case.
Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.
Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.Pub Date: March 1, 2006
ISBN: 0-345-46752-3
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 1, 2005
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