Sadly, missing the usual sensual delights of Harris’s work.
A debut collection of 22 silly and predictable stories. Only one comes even close to the level of the least of Harris’s five novels (Holy Fools, 2004, etc.).
Introduced by irritatingly chatty author’s notes (“I got the idea for this story on a Saturday morning”), the pieces are mostly monologues by trendy folk, too often depending upon sophomoric satire rather than plot, character, theme, or language. In “Fish,” the snobbish bride at dinner on a Naples honeymoon is on a vegetarian, lactose-intolerant, wheat-free diet; the groom ends up seduced by the culinary orgy offered by the proprietress. “Hello, Goodbye” is narrated by Angela K, a columnist for Goodbye! magazine covering a celebrity funeral that ends up coming too close to home when her own bumpkin parents show up to give eulogies. It turns out the deceased is her sister, a fashion model dead from an eating disorder, a bit of information neglected until the trick ending. “Al and Christine’s World of Leather” puts Christine and Al, who met at a Weight Watchers meeting, in business, she sewing various leather garments, he selling them. Meanwhile, Christine’s husband Jack begins spending three hours a night with his and Christine’s best friend, making use of the mysterious leatherwear (“Poor stupid Christine, thinks it’s dancewear, wouldn’t know a dildo if she saw one”). Christine gets her expected revenge. Only “Waiting for Gandalf” moves beyond surface, reaching a level of empathy lacking in the rest. For 30 years, a geography teacher known to his students as “Sad Smith” has been a regular in a Saturday night woodland adventure with a group of live-action role-players. He’s usually a monster, but sometimes the referee for the others. One week, when he has rounded up a group of university students as “sword fodder,” things go horribly wrong, and Old Smithy loses control.
Sadly, missing the usual sensual delights of Harris’s work.Pub Date: Sept. 1, 2004
ISBN: 0-06-059013-0
Page Count: 288
Publisher: Morrow/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2004
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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