A slow buildup to a breathtaking finish.
Eight years after the events in Harris’ best-selling Chocolat (1999, etc.), her heroine is summoned back to the French village she once revitalized with confections.
Vianne Rocher is living in Paris on a houseboat with her husband, Roux, and daughters, Anouk and Rosette, when a posthumous letter arrives from Armande, the crusty old lady who had been her ally in upsetting the straight-laced mores of Lansquenet. This tiny hamlet once more needs Vianne’s intervention, Armande writes, without specifying exactly what is amiss. When Vianne arrives, she is surprised to learn the person most in need of rescue is her erstwhile antagonist, the tightly wound, chocolate-hating Monsieur le Curé Francis Reynaud. As parish pastor, Reynaud has been supplanted by a young, smug priest who wants to turn Mass into a PowerPoint presentation and replace the church’s old oaken pews with plastic chairs. The Bishop has not been pleased since rumors started circulating that Reynaud set fire to a school for Muslim girls housed in Vianne’s former candy shop. Reynaud is suspect because he clashed with the Imam of Les Marauds, Lansquenet’s Muslim neighborhood, over the installation of a minaret complete with call to prayer. The school’s founder, Inès Bencharki, whose brother, Karim, is the Imam’s son-in-law, has, along with her charismatic sibling, introduced Muslim fundamentalism into previously free-wheeling Les Marauds, requiring her pupils to veil themselves. Vianne is drawn into the fray when she takes in Alyssa, the Imam’s granddaughter, whom Reynaud saved from drowning herself. As they forge a gingerly alliance, Reynaud and Vianne suspect that Inès and Karim are hiding something, and those secrets, when revealed, are shocking. While Harris’ loving attention to the details of cuisine, French and Moroccan, and the daily lives of the eccentric village characters conveys a certain charm, the indolent pace of the novel doesn’t accelerate until the puzzle explodes with incandescent intensity near the end. The patient reader, however, will be amply rewarded.
A slow buildup to a breathtaking finish.Pub Date: Oct. 2, 2012
ISBN: 978-0-670-02636-4
Page Count: 464
Publisher: Viking
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of...
Hoover’s (November 9, 2015, etc.) latest tackles the difficult subject of domestic violence with romantic tenderness and emotional heft.
At first glance, the couple is edgy but cute: Lily Bloom runs a flower shop for people who hate flowers; Ryle Kincaid is a surgeon who says he never wants to get married or have kids. They meet on a rooftop in Boston on the night Ryle loses a patient and Lily attends her abusive father’s funeral. The provocative opening takes a dark turn when Lily receives a warning about Ryle’s intentions from his sister, who becomes Lily’s employee and close friend. Lily swears she’ll never end up in another abusive home, but when Ryle starts to show all the same warning signs that her mother ignored, Lily learns just how hard it is to say goodbye. When Ryle is not in the throes of a jealous rage, his redeeming qualities return, and Lily can justify his behavior: “I think we needed what happened on the stairwell to happen so that I would know his past and we’d be able to work on it together,” she tells herself. Lily marries Ryle hoping the good will outweigh the bad, and the mother-daughter dynamics evolve beautifully as Lily reflects on her childhood with fresh eyes. Diary entries fancifully addressed to TV host Ellen DeGeneres serve as flashbacks to Lily’s teenage years, when she met her first love, Atlas Corrigan, a homeless boy she found squatting in a neighbor’s house. When Atlas turns up in Boston, now a successful chef, he begs Lily to leave Ryle. Despite the better option right in front of her, an unexpected complication forces Lily to cut ties with Atlas, confront Ryle, and try to end the cycle of abuse before it’s too late. The relationships are portrayed with compassion and honesty, and the author’s note at the end that explains Hoover’s personal connection to the subject matter is a must-read.
Packed with riveting drama and painful truths, this book powerfully illustrates the devastation of abuse—and the strength of the survivors.Pub Date: Aug. 2, 2016
ISBN: 978-1-5011-1036-8
Page Count: 320
Publisher: Atria
Review Posted Online: May 30, 2016
Kirkus Reviews Issue: June 15, 2016
SEEN & HEARD
SEEN & HEARD
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
PERSPECTIVES
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