An insightful exploration of a girl’s inner tickings.
The musical and natural worlds help a tween understand her family and her personal dynamics.
Twelve-year-old Madrigal begins her story in November in a diminuendo mood. Maddie is studying the oboe, the instrument that voices the Duck in Peter and the Wolf, and she is dedicated to improving her technique so she can perform the solo in her school’s winter concert. Her world changes when her older brother, Strum, a college student deeply concerned about the environment, disappears. Maddie compulsively counts objects and believes that even numbers are the best. She is a gifted math student who appreciates order and regularity, eating the same precisely prepared sandwich for lunch every day. January is a month of staccato as Maddie thinks of herself as a fraction, divided from the brother who makes her whole; reflecting his favorite color, she plays Gershwin’s Rhapsody in Blue. She regards February as a month of crescendo when, as a member of the environmental club at school, she visits a blue morpho butterfly exhibit that gives her an idea as to where Strum has gone. The combination of free verse and first-person narrative convey Maddie’s thoughts as she learns to appreciate that both music and family follow strong emotional currents, not just the precision of a metronome. The family defaults to White.
An insightful exploration of a girl’s inner tickings. (Verse novel. 10-12)Pub Date: June 1, 2021
ISBN: 978-0-8234-4862-3
Page Count: 256
Publisher: Holiday House
Review Posted Online: March 30, 2021
Kirkus Reviews Issue: April 15, 2021
BOOK REVIEW
A satisfying, winning read.
Nick Hall is a bright eighth-grader who would rather do anything other than pay attention in class.
Instead he daydreams about soccer, a girl he likes, and an upcoming soccer tournament. His linguistics-professor father carefully watches his educational progress, requiring extra reading and word study, much to Nick’s chagrin and protest. Fortunately, his best friend, Coby, shares his passion for soccer—and, sadly, the unwanted attention of twin bullies in their school. Nick senses something is going on with his parents, but their announcement that they are separating is an unexpected blow: “it’s like a bombshell / drops / right in the center / of your heart / and it splatters / all across your life.” The stress leads to counseling, and his life is further complicated by injury and emergency surgery. His soccer dream derailed, Nick turns to the books he has avoided and finds more than he expected. Alexander’s highly anticipated follow-up to Newbery-winning The Crossover is a reflective narrative, with little of the first book’s explosive energy. What the mostly free-verse novel does have is a likable protagonist, great wordplay, solid teen and adult secondary characters, and a clear picture of the challenges young people face when self-identity clashes with parental expectations. The soccer scenes are vivid and will make readers wish for more, but the depiction of Nick as he unlocks his inner reader is smooth and believable.
A satisfying, winning read. (Fiction. 10-12)Pub Date: April 5, 2016
ISBN: 978-0-544-57098-6
Page Count: 320
Publisher: HMH Books
Review Posted Online: Jan. 8, 2016
Kirkus Reviews Issue: Jan. 15, 2016
The Baudelaire children—Violet, 14, Klaus, 12, and baby Sunny—are exceedingly ill-fated; Snicket extracts both humor and horror from their situation, as he gleefully puts them through one terrible ordeal after another. After receiving the news that their parents died in a fire, the three hapless orphans are delivered into the care of Count Olaf, who “is either a third cousin four times removed, or a fourth cousin three times removed.” The villainous Count Olaf is morally depraved and generally mean, and only takes in the downtrodden yet valiant children so that he can figure out a way to separate them from their considerable inheritance. The youngsters are able to escape his clutches at the end, but since this is the first installment in A Series of Unfortunate Events, there will be more ghastly doings. Written with old-fashioned flair, this fast-paced book is not for the squeamish: the Baudelaire children are truly sympathetic characters who encounter a multitude of distressing situations. Those who enjoy a little poison in their porridge will find it wicked good fun. (b&w illustrations, not seen) (Fiction. 10-12)
Pub Date: Sept. 30, 1999
ISBN: 0-06-440766-7
Page Count: 162
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1999
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