EVERYWHERE BLUE

The musical and natural worlds help a tween understand her family and her personal dynamics.

Twelve-year-old Madrigal begins her story in November in a diminuendo mood. Maddie is studying the oboe, the instrument that voices the Duck in Peter and the Wolf, and she is dedicated to improving her technique so she can perform the solo in her school’s winter concert. Her world changes when her older brother, Strum, a college student deeply concerned about the environment, disappears. Maddie compulsively counts objects and believes that even numbers are the best. She is a gifted math student who appreciates order and regularity, eating the same precisely prepared sandwich for lunch every day. January is a month of staccato as Maddie thinks of herself as a fraction, divided from the brother who makes her whole; reflecting his favorite color, she plays Gershwin’s Rhapsody in Blue. She regards February as a month of crescendo when, as a member of the environmental club at school, she visits a blue morpho butterfly exhibit that gives her an idea as to where Strum has gone. The combination of free verse and first-person narrative convey Maddie’s thoughts as she learns to appreciate that both music and family follow strong emotional currents, not just the precision of a metronome. The family defaults to White.

An insightful exploration of a girl’s inner tickings.