Ryder (Mouse Tail Moon, 2002, etc.) follows a fledgling birder as she watches and cares for birds in the wild. Ambience rather than identification is her goal, so she endeavors to catch a little bit of each bird’s personality: starlings creeping about in the grass, finches fluttering as they take a bath, sparrows mobbing power lines like so many bleacher bums. An effort is made to convey some ornithological information in passing—what foods certain birds eat, which birds migrate south, which will stay for the winter—and Kwas’s (A Rumpus of Rhymes, 2001, etc.) color-shot art is particularly deliberate when it comes to the birds themselves, though more stylistic when it comes to the people and architecture. The staccato prose works well enough when speaking of the birds—“Ever-so-hungry birds watch your shadow slowly stretching on the ground. They see you fill the feeder with sweet seeds, then move away”—but the same cannot be said when it tries to catch the wonder of flight, when it gets all too whiffy and fails to hold: “They flicker here and there between leaf and leaf, between earth and sky. Wild birds take the high path over your head under the clouds.” Still, there is enough sustaining natural imagery here to launch more than a few young birders. (Picture book. 4-7)
Pub Date: March 1, 2003
ISBN: 0-06-027738-6
Page Count: 40
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 1, 2003
BOOK REVIEW
BOOK REVIEW
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A stocking stuffer par excellence, just right for dishing up with milk and cookies.
Pigeon finds something better to drive than some old bus.
This time it’s Santa delivering the fateful titular words, and with a “Ho. Ho. Whoa!” the badgering begins: “C’mon! Where’s your holiday spirit? It would be a Christmas MIRACLE! Don’t you want to be part of a Christmas miracle…?” Pigeon is determined: “I can do Santa stuff!” Like wrapping gifts (though the accompanying illustration shows a rather untidy present), delivering them (the image of Pigeon attempting to get an oversize sack down a chimney will have little ones giggling), and eating plenty of cookies. Alas, as Willems’ legion of young fans will gleefully predict, not even Pigeon’s by-now well-honed persuasive powers (“I CAN BE JOLLY!”) will budge the sleigh’s large and stinky reindeer guardian. “BAH. Also humbug.” In the typically minimalist art, the frustrated feathered one sports a floppily expressive green and red elf hat for this seasonal addition to the series—but then discards it at the end for, uh oh, a pair of bunny ears. What could Pigeon have in mind now? “Egg delivery, anyone?”
A stocking stuffer par excellence, just right for dishing up with milk and cookies. (Picture book. 4-6)Pub Date: Sept. 5, 2023
ISBN: 9781454952770
Page Count: 40
Publisher: Union Square Kids
Review Posted Online: Sept. 12, 2023
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