The team that gave us City Alphabet (2009) takes on urban numbers in the same inventive way, still holding readers at a slight emotional distance. Beam takes pictures. He sees numbers everywhere: painted on Dumpsters, printed on cardboard, burnt into metal, carved in stone. This book is not for children just learning their numbers. Instead of presenting a simple 1-20 sequence, it starts with a row of zeros, continue with 1/2, find 2.5 percent in neon in a loan-office window, double-O seven in a metal road plate, 18 kg on a bag of garden rocks. Schwartz adds the utterly clear and utterly brief text: each number spelled out and a description ("Eleven / Spray-painted on cement. / Sidewalk"). The photographs are gritty and textured, always showing the odd angle or the slant light. The numerals as they are printed are a dropped-out image on a white ground: The number nine is the translucent, iridescent blue of the vinyl sticker on a storefront; the final image of a cardboard barcode reflects the same worn and stained paper. Like the first, this is more an artist’s book than one for little children, but it does effectively invite readers to enjoy close and repeated examination of the form, shape and whimsy of numbers. (Picture book. 10 & up)
Pub Date: May 1, 2011
ISBN: 978-1-55498-081-9
Page Count: 60
Publisher: Groundwood
Review Posted Online: April 4, 2011
Kirkus Reviews Issue: April 1, 2011
This can’t be the last we ever hear of the Legendary Alston Boys of the purely surreal Logan County—imaginative,...
Can this really be the first time readers meet the Legendary Alston Boys of Logan County? Cousins and veteran sleuths Otto and Sheed Alston show us that we are the ones who are late to their greatness.
These two black boys are coming to terms with the end of their brave, heroic summer at Grandma’s, with a return to school just right around the corner. They’ve already got two keys to the city, but the rival Epic Ellisons—twin sisters Wiki and Leen—are steadily gaining celebrity across Logan County, Virginia, and have in hand their third key to the city. No way summer can end like this! These young people are powerful, courageous, experienced adventurers molded through their heroic commitment to discipline and deduction. They’ve got their shared, lifesaving maneuvers committed to memory (printed in a helpful appendix) and ready to save any day. Save the day they must, as a mysterious, bendy gentleman and an oversized, clingy platypus have been unleashed on the city of Fry, and all the residents and their belongings seem to be frozen in time and place. Will they be able to solve this one? With total mastery, Giles creates in Logan County an exuberant vortex of weirdness, where the commonplace sits cheek by jowl with the utterly fantastic, and populates it with memorable characters who more than live up to their setting.
This can’t be the last we ever hear of the Legendary Alston Boys of the purely surreal Logan County—imaginative, thrill-seeking readers, this is a series to look out for. (Fantasy. 10-12)Pub Date: April 2, 2019
ISBN: 978-1-328-46083-7
Page Count: 304
Publisher: Versify/HMH
Review Posted Online: Jan. 14, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
For all its brevity, chockablock with philosophical topics to ponder and debate.
In the wake of Triangle (2017), a further raft of ontological posers in stripped-down geometric garb.
Square, an unreflective sort, regards hauling large cubes of rock from the depths of his secret cave to a hilltop every day as his “work.” He is set to a new task, though, after Circle praises him as a “sculptor” and a “genius,” then commissions a portrait. Cluelessly setting to with a hammer and chisel to carve a “perfect” representation of Circle from a stone block, Square is left at the end of the day in the middle of a ring of rubble. Despairingly, he falls asleep as rain begins to fall. Next morning the despair is still there—so when Circle floats up and sees her reflection in the puddle that’s accumulated overnight her response is unexpected: “It is perfect,” she says. “You are a genius.” Barnett’s closing “But was he really?” leaves readers (those who have the appropriate patience and experience, anyway) to judge for themselves. Square’s downcast eyes as he looks at his own reflection in the puddle heighten the ambiguity. With typically deceptive minimalism Klassen places a few flat, blocky shapes on the white pages to suggest the physical landscape, angling Square’s body and glance to convey the emotional one. Humor is in the details: a bit of twig that catches on harried Square’s head and stays there; the shadow that appears beneath Circle as she floats along through the air.
For all its brevity, chockablock with philosophical topics to ponder and debate. (Picture book. 10-adult)Pub Date: May 8, 2018
ISBN: 978-0-7636-9607-8
Page Count: 48
Publisher: Candlewick
Review Posted Online: Feb. 18, 2018
Kirkus Reviews Issue: March 1, 2018
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