by Joanne Schwartz & illustrated by Laura Beingessner ‧ RELEASE DATE: April 14, 2009
Anyone would be lucky to live near a grocery store like Anna Maria’s Italian grandparents’ charming place. (Note: readers unfamiliar with the words nonno and nonna won’t know the store owners are the girl’s grandparents.) More chronicle than plot-driven story, this gentle book tracks young Anna Maria’s Saturday as she helps out at the store, from arranging produce displays to greeting customers (“Ciao!”) to end-of-day cleanup. Matter-of-fact descriptions are contagiously satisfying: “I make sure everything is in neat rows, while Nonno Domenico writes the prices on little cardboard signs” and “We sold lots of tomatoes and lettuce today, and every single box of strawberries.” Children will devour Beingessner’s wonderfully detailed illustrations, which lovingly depict the store’s bounty—especially the enticing candy counter—in a delicately etched style reminiscent of Roz Chast’s hand-lettered cartoons. (Don’t miss the cat in every spread!) Occasionally, the text is excessively descriptive (the candies listed in the text are clearly labeled in the artwork, for example), but overall, this warm, home-baked offering from Toronto is an affectionate tribute to small nonno-and-nonna stores everywhere. (Picture book. 4-8)
Pub Date: April 14, 2009
ISBN: 978-0-88776-868-2
Page Count: 32
Publisher: Tundra Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2009
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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SEEN & HEARD
SEEN & HEARD
by Tish Rabe ; illustrated by Laura Hughes ‧ RELEASE DATE: June 21, 2016
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
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