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WHAT COMES AFTER

A graceful debut.

A quiet portrayal of troubled lives.

Making an appealing debut, Tompkins spins a tender tale of wounded souls anguished by loss and grief, yearning for love and forgiveness. Port Furlong, a small coastal town in Washington state, has been shaken by a tragedy: popular teenager Daniel Balch was murdered by his best friend, Jonah. Jonah is dead, too, killing himself after leaving a confession. The survivors are bowed by sorrow: Daniel’s father, Isaac, a divorced high school biology teacher, strains to find consolation in his faith as a Quaker. Jonah’s mother, Lorrie, a widow left to raise her young daughter while eking out a living as a nursing assistant, is overwhelmed with shame and guilt. Into their lives—and into Isaac’s home—comes Evangeline, a 16-year-old fending for herself after her mother, a drug addict and prostitute, abandoned her. Sexually abused by her mother’s boyfriend when she was a young teenager, she is fearful, distrustful—and now pregnant. “The pattern of her life had been set,” she reflects, “horrors followed by small reprieves, glimmers of possibility, then wham, everything back to shit." Mysteries lie at the heart of the story: Why did Jonah murder Daniel? How was Evangeline involved with the two boys? Who is her baby’s father? But the novel is haunted by deeper mysteries, as well—as Isaac puts it, “the mystery of one person reaching toward another.” Isaac fears he never really knew Daniel, a “ridiculously handsome boy who lived life assuming he’d be well received”; but Daniel could be a bully, and Isaac struggles to understand why he never intervened to curb his son’s arrogant behavior. Lorrie, too, wonders how well she knew Jonah, how well she understood the depths of his loneliness and rage. Like Anne Tyler and Marilynne Robinson, who explore similar territories of the heart, Tompkins sensitively portrays her characters’ pain, isolation, and hard path to redemption.

A graceful debut.

Pub Date: April 13, 2021

ISBN: 978-0-593-08599-8

Page Count: 432

Publisher: Riverhead

Review Posted Online: March 2, 2021

Kirkus Reviews Issue: March 15, 2021

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE MAN WHO LIVED UNDERGROUND

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.

Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.

A welcome literary resurrection that deserves a place alongside Wright’s best-known work.

Pub Date: April 20, 2021

ISBN: 978-1-59853-676-8

Page Count: 240

Publisher: Library of America

Review Posted Online: March 16, 2021

Kirkus Reviews Issue: April 1, 2021

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