An accessible call to appreciate nature.
A tree waits…and waits…for humans to pay attention in Dee’s picture book.
In the late 1700s, a sapling wants to enjoy the presence of all other living creatures. But while most animals will stop and sit with the small tree, one group will not: humans. First represented by a group of Native hunters, then by European settlers in covered wagons and Puritan home builders, the humans go about their own business, never stopping to sit with the tree. In a repeated refrain, the seeking tree asks, “Will you sit with us?” An older voice of the forest answers, “They are busy, Young One.” Each time, the tree grows more frustrated, until the forest is cleared away, first for farmland, then a city, and finally a futuristic megalopolis. In this last setting, the tree stands alone and is finally approached by a human family in space suits, who sit with the tree and gather its seeds, hopeful for the future. Dee and Oldaker create beautiful painted illustrations; the natural world’s beauty is highlighted even as it diminishes in each spread until it is overtaken. The impact of the images, and of the frustration in the seeking tree’s repeated text, ably communicates the message of how important it is to commune with the natural world.
An accessible call to appreciate nature.Pub Date: March 1, 2023
ISBN: 9781736209325
Page Count: 36
Publisher: Self
Review Posted Online: June 23, 2023
Kirkus Reviews Issue: Aug. 1, 2023
Review Program: Kirkus Indie
Visually accomplished but marred by stereotypical cultural depictions.
Ellis, known for her illustrations for Colin Meloy’s Wildwood series, here riffs on the concept of “home.”
Shifting among homes mundane and speculative, contemporary and not, Ellis begins and ends with views of her own home and a peek into her studio. She highlights palaces and mansions, but she also takes readers to animal homes and a certain famously folkloric shoe (whose iconic Old Woman manages a passel of multiethnic kids absorbed in daring games). One spread showcases “some folks” who “live on the road”; a band unloads its tour bus in front of a theater marquee. Ellis’ compelling ink and gouache paintings, in a palette of blue-grays, sepia and brick red, depict scenes ranging from mythical, underwater Atlantis to a distant moonscape. Another spread, depicting a garden and large building under connected, transparent domes, invites readers to wonder: “Who in the world lives here? / And why?” (Earth is seen as a distant blue marble.) Some of Ellis’ chosen depictions, oddly juxtaposed and stripped of any historical or cultural context due to the stylized design and spare text, become stereotypical. “Some homes are boats. / Some homes are wigwams.” A sailing ship’s crew seems poised to land near a trio of men clad in breechcloths—otherwise unidentified and unremarked upon.
Visually accomplished but marred by stereotypical cultural depictions. (Picture book. 4-8)Pub Date: Feb. 24, 2015
ISBN: 978-0-7636-6529-6
Page Count: 40
Publisher: Candlewick
Review Posted Online: Nov. 17, 2014
Kirkus Reviews Issue: Dec. 1, 2014
An invitation to wonder, imagine and look at everything (humans included) in a new way.
A young boy sees things a little differently than others.
Noah can see patterns in the dust when it sparkles in the sunlight. And if he puts his nose to the ground, he can smell the “green tang of the ants in the grass.” His most favorite thing of all, however, is to read. Noah has endless curiosity about how and why things work. Books open the door to those answers. But there is one question the books do not explain. When the wind comes whistling by, where does it go? Noah decides to find out. In a chase that has a slight element of danger—wind, after all, is unpredictable—Noah runs down streets, across bridges, near a highway, until the wind lifts him off his feet. Cowman’s gusty wisps show each stream of air turning a different jewel tone, swirling all around. The ribbons gently bring Noah home, setting him down under the same thinking tree where he began. Did it really happen? Worthington’s sensitive exploration leaves readers with their own set of questions and perhaps gratitude for all types of perspective. An author’s note mentions children on the autism spectrum but widens to include all who feel a little different.
An invitation to wonder, imagine and look at everything (humans included) in a new way. (Picture book. 4-8)Pub Date: April 14, 2015
ISBN: 978-1-60554-356-7
Page Count: 32
Publisher: Redleaf Lane
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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