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SONGS OF THE HUMPBACK WHALE

A family crosses the continent to find themselves, which they do on an apple farm in Massachusetts, in one of those too carefully crafted first novels in which literary ambition exacts a toll greater than a minor work can afford. This would-be epic of self-discovery is told in alternate chapters by the three travellers from California—Jane Jones, daughter Rebecca, and husband Oliver, a well-known whale-expert- -with supplementary voices provided by Sam, the apple farmer, and Joley, Jane's brother and Sam's assistant. Rebecca tells her version of the journey backwards—a journey that begins in their San Diego home when Oliver announces that he'll have to miss Rebecca's upcoming 15th birthday, and Jane, no longer able to contain her pent-up frustrations and anger, hits him. Fearing that she's becoming like her father, Jane, joined by Rebecca, flees the house and heads across the country to Joley, who adores Jane, his childhood protector against their abusive father. The trip, which includes a visit to the site of the air crash in which toddler Rebecca was one of five survivors, is planned by Joley to make Jane finally use the ``untapped strength'' she has ignored. Oliver goes after them, but as he travels he too realizes that this journey has a deeper purpose. On the farm both Rebecca and Jane fall in love, but a tragic accident, Joley's advice to leave because ``sometimes the ideal way isn't the best,'' and Oliver's confession of love and repentance—all will convince Jane to go back home. ``It is the first time I can remember,'' she says, ``having my eyes wide open while I look at my future.'' And about time. Picoult tries to do more with the old clichÇ of wife and family coming to terms with the past, but it isn't enough. The clichÇ lives, while the characters and the story struggle—and fail—to survive the author's pretensions.

Pub Date: May 1, 1992

ISBN: 0-571-12927-7

Page Count: 356

Publisher: Faber & Faber/Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 1992

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TRUE COLORS

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters...

Female rivalry is again the main preoccupation of Hannah’s latest Pacific Northwest sob saga (Firefly Lane, 2008, etc.).

At Water’s Edge, the family seat overlooking Hood Canal, Vivi Ann, youngest and prettiest of the Grey sisters and a champion horsewoman, has persuaded embittered patriarch Henry to turn the tumbledown ranch into a Western-style equestrian arena. Eldest sister Winona, a respected lawyer in the nearby village of Oyster Shores, hires taciturn ranch hand Dallas Raintree, a half-Native American. Middle sister Aurora, stay-at-home mother of twins, languishes in a dull marriage. Winona, overweight since adolescence, envies Vivi, whose looks get her everything she wants, especially men. Indeed, Winona’s childhood crush Luke recently proposed to Vivi. Despite Aurora’s urging (her principal role is as sisterly referee), Winona won’t tell Vivi she loves Luke. Yearning for Dallas, Vivi stands up Luke to fall into bed with the enigmatic, tattooed cowboy. Winona snitches to Luke: engagement off. Vivi marries Dallas over Henry’s objections. The love-match triumphs, and Dallas, though scarred by child abuse, is an exemplary father to son Noah. One Christmas Eve, the town floozy is raped and murdered. An eyewitness and forensic evidence incriminate Dallas. Winona refuses to represent him, consigning him to the inept services of a public defender. After a guilty verdict, he’s sentenced to life without parole. A decade later, Winona has reached an uneasy truce with Vivi, who’s still pining for Dallas. Noah is a sullen teen, Aurora a brittle but resigned divorcée. Noah learns about the Seattle Innocence Project. Could modern DNA testing methods exonerate Dallas? Will Aunt Winona redeem herself by reopening the case? The outcome, while predictable, is achieved with more suspense and less sentimental histrionics than usual for Hannah.

Above-average formula fiction, making full display of the author’s strong suits: sense of place, compassion for characters and understanding of family dynamics.

Pub Date: Feb. 9, 2009

ISBN: 978-0-312-36410-6

Page Count: 400

Publisher: St. Martin's

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Oct. 15, 2008

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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