A warmhearted exploration of modern love with considerable psychological and philosophical insights.
In this coming-of-age novel set in 1995, a young woman starting graduate studies struggles with the vagaries of relationships, sexual orientation, and faith.
At the age of 23, Rachel Levine moves to Boston to begin a doctoral program in clinical psychology and to live with her 86-year-old grandfather, an observant Jew coping with the loss of his beloved wife. The two have a close bond, and Rachel serves as a needed companion but must keep parts of her life hidden. While she regularly accompanies Zayde (the Yiddish word for grandfather) to his synagogue, she is under strict instructions from her mother not to reveal to him her bisexual orientation. When she falls headlong into a passionate relationship with Liz Abraham, a brilliant young member of the congregation, she conceals it from him. The book examines the shifting plates of the religious community—more involvement of women and non-Jews in the rituals, to the consternation of Zayde. In her clinical training, under careful supervision, Rachel is learning how to enable her patients to handle change in their lives. Meanwhile, she becomes increasingly anxious about the uncertainties she faces. She is not confident about Liz’s commitment to her; her parents are uncomfortable with her bisexuality; and she fails to foresee some serious problems with a favorite patient. Her own experience with a skilled therapist grants her tremendous insights as she navigates some very rough waters. Rosenfeld’s novel is framed by events from 2019, indicating that Rachel has successfully achieved significant career and personal goals. Much time is spent on elaborate discussions of Jewish observance and beliefs, such as washing and sitting with a body between death and burial. The pacing flags at times for secular readers when these descriptions venture into the esoteric. The early romance of Rachel and Liz is a high point described with humor and zest. On an early date, Rachel explains to Liz that she doesn’t like spicy dishes but does love trying new foods, with the unspoken subtext: “I’m not into leather but don’t think that means I’m boring in bed.” The book’s descriptions of psychological disorders and treatments, such as obsessive-compulsive disorder, are informative and extremely readable. Rachel’s therapist, Kevin Miller, summarizes the story’s message succinctly: “Rachel, the notion that we can have complete certainty about anything is a lie.”
A warmhearted exploration of modern love with considerable psychological and philosophical insights.Pub Date: May 25, 2021
ISBN: 978-1-64742-059-8
Page Count: 280
Publisher: She Writes Press
Review Posted Online: Dec. 22, 2020
Kirkus Reviews Issue: Feb. 15, 2021
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
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