A significant work of social sciences and urban studies.
A deep dive into the daily living of low-income Detroit residents as well as real estate speculators.
Kirshner (Urban Management/New York Univ.; International Bankruptcy: The Challenge of Insolvency in a Global Economy, 2018, etc.) received permission from seven individuals to conduct on-the-ground research about what occurs when a city is stuck under the weight of often arcane bankruptcy law. The burdens fall most heavily on people of color. Four of Kirshner’s protagonists are black: Miles, an ambitious mid-40s construction worker bedeviled by mistaken law enforcement paperwork suggesting he is a felon; Lola, a mid-20s single mother who cannot find a conveniently located job commensurate with her college education; Reggie, a mid-40s buyer of residential properties in a city decimated by abandoned homes often emptied through fraud initiated by white lenders; and Charles, a 50-ish faithful Detroiter who earned a livable income when the automobile industry was thriving in the city. The three white protagonists are Joe, a tree surgeon business owner who optimistically relocated from New Jersey; Robin, a late 40s property developer from Los Angeles who sees moneymaking opportunities purchasing abandoned houses in certain Detroit neighborhoods; and Cindy, an early 60s Detroiter who hung on as her longtime neighborhood shifted from mostly white to nearly all low-income black, with abandoned and vandalized houses on every block. Kirshner is masterful at explaining the predatory banking and insurance industry practices that have led to impoverishment across the entire city (except for the white establishment downtown), the heartlessness of white politicians (mostly Republicans) who seemingly operate from racist viewpoints, a judicial system that offers little justice for the poor, and bankruptcy law, which was never meant to be applied to city governments. Although immersed in the lives of her protagonists, the author wisely keeps a low profile within her eye-opening and sometimes heartbreaking narrative, which ends with a brief call to action. “We cannot allow the country to fragment into areas of varying opportunity,” she writes.
A significant work of social sciences and urban studies.Pub Date: Nov. 19, 2019
ISBN: 978-1-250-22063-9
Page Count: 368
Publisher: St. Martin's
Review Posted Online: July 20, 2019
Kirkus Reviews Issue: Aug. 15, 2019
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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