A bracing, spirited true-crime narrative that reads like fiction but is very much real and rooted in the brutality and...
A novice attorney struggles with one of the most challenging and melodramatic cases of his young career.
For this serpentine, true-crime dramatic depiction, novelist and essayist Seay (Dead in a Ditch, 2011, etc.) effectively collaborated with debut author Lloyd, an Oklahoma litigator who, in distinctive detail, describes the yearlong, first-degree murder case that would shake up his early days in the courtroom. Escorting Seay to the Oklahoma locations crucial to the events and drawing from a memory bolstered by a trove of newspaper articles and court transcripts, Lloyd engrossingly pieces together a story of crime and blame. The case began in 1982, a time when Lloyd, a cub lawyer having only tried (and lost) one jury trial, was engulfed in grief after losing his newborn son. He channeled great effort into examining a homicide involving Noi Kanchana Mitchell, a wife charged with the ruthless murder of her husband, Bobby, in a case that, in Lloyd’s words, would take “all of the energy and physical reserve I could muster” and endanger his marriage and jeopardize his financial stability. Thankfully, this intriguing setup delivers on all of its promises as readers are immediately thrust into the story of Bobby Mitchell and his Thai wife, Noi, and the nagging feeling Lloyd experienced that she was innocent of his murder even though the odds were stacked against her. The primary evidence, which pointed to her direct involvement in her husband’s strangling, shooting, and corpse disposal, included the statements of an accomplice and Noi’s audiotaped confession. Upon questioning her, the attorney discovered a language barrier and some emotional trauma, which became problematic to sleuthing the case. Lloyd, clever and determined, discounted Noi’s confession, believing it to have been coerced by police, and through preliminary hearings, courtroom dramatics, key witnesses, misled speculation, and cruel accusations, the truth, while untidy, finally emerged in grand fashion. Despite three trials, fluctuating self-confidence, and numerous roadblocks, Lloyd triumphed. His tale provides tantalizing, exhilarating fodder for Seay to mold and craft into a rollicking murder trial that moves swiftly despite a surfeit of heavily detailed events and many supporting characters. Besides enticing Perry Mason fans, this book should please readers devilishly curious about the intricate workings of the justice system and the trial-by-jury process.
A bracing, spirited true-crime narrative that reads like fiction but is very much real and rooted in the brutality and injustices of contemporary life.Pub Date: June 22, 2018
ISBN: 978-1-938282-21-8
Page Count: 380
Publisher: Koho Pono
Review Posted Online: April 1, 2019
Kirkus Reviews Issue: May 15, 2019
Review Program: Kirkus Indie
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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