A brisk, wised-up and highly entertaining consideration of a crucial musical epoch’s many facets.
A key producer of England’s folk-rock greats looks back at the ’60s.
Boyd may be best known for helming unforgettable albums by Nick Drake, Fairport Convention, John & Beverly Martyn, the Incredible String Band and Vashti Bunyan, but he emerges in this memoir, originally published in England in 2006, as a sort of Zelig of ’60s music. Born in New Jersey, he got his start as a concert promoter, road manager and stage manager for a variety of great folk, blues and jazz acts; the early pages of the book are filled with wonderful backstage glimpses of Lonnie Johnson, Sister Rosetta Tharpe, Rev. Gary Davis, Duke Ellington and others. Working for George Wein at the 1965 Newport Folk Festival, he witnessed first-hand the violent birthing of folk-rock in Bob Dylan’s controversial performance, caught in a lovely fly-on-the-wall chapter. In London, he recorded Eric Clapton and Pink Floyd in their pre-stardom days and co-founded UFO, the city’s first underground rock venue. His Witchseason Productions brought the cream of the ’60s U.K. folk-rock boom to light. Returning to the U.S. in the early ’70s, he produced a memorable documentary about Jimi Hendrix for Warner Bros. Boyd’s remembrances are delivered in cool, straightforward and self-effacing style. He’s equally at home discussing the machinations of the British music biz and the eccentricities of his oddball stable of musicians (especially the Incredible String Band and the legendary Drake, a classic introvert whose essence seems elusive even to his discoverer and longtime producer). The book unfolds in leisurely fashion and allows for engaging tangents on such topics as the joys of analog recording and the inner workings of Scientology (of which Boyd was briefly an adherent). Ultimately, the author takes a conflicted view of the radical decade; his title references the white bicycles, provided as free transportation by Amsterdam revolutionaries, that were finally stolen and repainted as the free-for-all spirit of the ’60s disintegrated.
A brisk, wised-up and highly entertaining consideration of a crucial musical epoch’s many facets.Pub Date: April 1, 2007
ISBN: 1-85242-910-0
Page Count: 282
Publisher: Serpent’s Tail
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2007
BOOK REVIEW
Well-told and admonitory.
Young-rags-to-mature-riches memoir by broker and motivational speaker Gardner.
Born and raised in the Milwaukee ghetto, the author pulled himself up from considerable disadvantage. He was fatherless, and his adored mother wasn’t always around; once, as a child, he spied her at a family funeral accompanied by a prison guard. When beautiful, evanescent Moms was there, Chris also had to deal with Freddie “I ain’t your goddamn daddy!” Triplett, one of the meanest stepfathers in recent literature. Chris did “the dozens” with the homies, boosted a bit and in the course of youthful adventure was raped. His heroes were Miles Davis, James Brown and Muhammad Ali. Meanwhile, at the behest of Moms, he developed a fondness for reading. He joined the Navy and became a medic (preparing badass Marines for proctology), and a proficient lab technician. Moving up in San Francisco, married and then divorced, he sold medical supplies. He was recruited as a trainee at Dean Witter just around the time he became a homeless single father. All his belongings in a shopping cart, Gardner sometimes slept with his young son at the office (apparently undiscovered by the night cleaning crew). The two also frequently bedded down in a public restroom. After Gardner’s talents were finally appreciated by the firm of Bear Stearns, his American Dream became real. He got the cool duds, hot car and fine ladies so coveted from afar back in the day. He even had a meeting with Nelson Mandela. Through it all, he remained a prideful parent. His own no-daddy blues are gone now.
Well-told and admonitory.Pub Date: June 1, 2006
ISBN: 0-06-074486-3
Page Count: 320
Publisher: Amistad/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2006
This autobiography might almost be said to supply the roots to Wright's famous novel, Native Son.
It is a grim record, disturbing, the story of how — in one boy's life — the seeds of hate and distrust and race riots were planted. Wright was born to poverty and hardship in the deep south; his father deserted his mother, and circumstances and illness drove the little family from place to place, from degradation to degradation. And always, there was the thread of fear and hate and suspicion and discrimination — of white set against black — of black set against Jew — of intolerance. Driven to deceit, to dishonesty, ambition thwarted, motives impugned, Wright struggled against the tide, put by a tiny sum to move on, finally got to Chicago, and there — still against odds — pulled himself up, acquired some education through reading, allied himself with the Communists — only to be thrust out for non-conformity — and wrote continually. The whole tragedy of a race seems dramatized in this record; it is virtually unrelieved by any vestige of human tenderness, or humor; there are no bright spots. And yet it rings true. It is an unfinished story of a problem that has still to be met.
Perhaps this will force home unpalatable facts of a submerged minority, a problem far from being faced.
Pub Date: Feb. 28, 1945
ISBN: 0061130249
Page Count: 450
Publisher: N/A
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Feb. 1, 1945
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