by Joe Costanzo ‧ RELEASE DATE: Feb. 22, 2022
An enthralling blend of mystery and SF with a striking hero.
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In this 1950s-set, SF–infused novel, a physicist discovers a personal connection to the otherworldly object he’s investigating.
The CIA doesn’t know what to make of the old wreckage of a domed container, possibly a cargo pod. Someone unearthed it near the Nevada Test Site, making communist-hating America fear the Russians have been up to no good. Answers may lie with a metal disk found inside the container and with four sets of coordinates marking areas surrounding the wreckage. Dr. Frank Sartori of the Atomic Energy Commission scours Western desert landscapes for each location. What he discovers sparks wild theories, such as the pod is extraterrestrial and carried a now-missing passenger. But it’s the strange symbols on the disk that the physicist finds truly spellbinding. They’re identical to the ones on the aluminum attaché case of his uncle, the man who raised him and cryptically asserted that they both were “not of this world.” Working with Bob “Bobcat” Babcock, a member of the Army Corps of Engineers, Sartori aims to unravel the mysteries of the pod, which is seemingly capable of creating energy from magnetic fields, and deciphering his bizarre link to it. Costanzo’s story deftly drops assorted puzzles at Sartori’s feet. Along with his AEC investigation, he must deal with his dreams, which teem with inexplicable images (for example, an unknown man at a bus stop), and his uncle’s abrupt disappearance. The tale is generally easygoing, as the protagonist doesn’t face sinister forces. But he does struggle to trust people, even immensely likable Bobcat and a local newspaper reporter named Kate Wilson who doubles as a potential romantic interest. The author couples a measured pace with vibrant prose, such as nuclear tests producing “a glowing orange sphere inside of an iridescent, billowing gray cloud.” Costanzo also aptly infuses real life into the narrative, from people constantly worrying about atomic bombs and radiation to characters mentioning famous baseball teams and players and TV series. The superb ending resolves some of the questions that readers will be asking.
An enthralling blend of mystery and SF with a striking hero.Pub Date: Feb. 22, 2022
ISBN: 978-0-578-33953-5
Page Count: 250
Publisher: Self
Review Posted Online: Feb. 22, 2022
Review Program: Kirkus Indie
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by Richard Wright ‧ RELEASE DATE: April 20, 2021
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
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A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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