THE GOODBYE COAST

Ide brings Philip Marlowe to modern-day LA in this hard-boiled noir PI yarn.

Marlowe is a private investigator in modern-day Los Angeles. His father, Emmet, is an alcoholic cop still mourning the loss of his beloved wife and wishing his son had become a cop. The famous but fast-fading movie star Kendra James reluctantly hires Marlowe to find her 17-year-old runaway stepdaughter, Cody. That’s not a hard task, but the two women hate each other, and both deserve it. Kendra’s husband, Terry, had been shot to death two weeks earlier, and she hardly cares one bit. The guy was just a washed-up moviemaker anyway. And Cody won’t come home, accusing Kendra of killing her dad. Emmet and Marlowe have serious father-son issues, but Dad gives him critical help, especially by sheltering and protecting Cody. Then Marlowe unsuccessfully tries to turn down a second case: Englishwoman Ren Stewart’s young son, Jeremy, has been kidnapped by his father, and Ren is desperate to bring him back to London. The tension builds as the two plotlines intersect with the aid of Russian and Armenian gangsters. Every character has great lines, and the descriptions alone make the story worth reading. “The movie went by like a cement wall taking a walk.” “Freddie’s smile imploded, as if his throat were sucking in his features.” Kendra tells Marlowe that Cody's relationship with her brother, Noah, was “like a reenactment of the war in Vietnam. Firefights and bombing runs for years on end.” Fans of the genre know that Philip Marlowe is the creation of the late Raymond Chandler, beginning with The Big Sleep in 1939. Chandler’s Marlowe has long been considered the quintessential private investigator, relentless and resolute in his work. There is tension, violence, humor, and a bit of sadness, with romance just out of the hero’s reach.

This one’s witty, clever, and fun, and it’s worthy of the great Raymond Chandler.