With stirring detail and perceptive insight about the pilots and the public, Jackson recaptures the tone and tenor of a...
A talented storyteller re-creates the signature moment of aviation’s golden age.
By the spring of 1927, the technology, money and pool of design and piloting talent had reached a critical mass. Clearly someone would soon fly from New York to Paris nonstop and capture the $25,000 Orteig Prize, unclaimed since 1919. By then World War I had transformed the image of aviators from eccentric flying fools to dashing “knights of the air.” The Jazz Age publicity machine, newly augmented by radio and newsreels, prepared to catapult to unprecedented fame whoever crossed the Atlantic first. Notable candidates included the Italian Francesco de Pinedo, Frenchmen René Fonck, Charles Nungesser and François Coli, Americans Charles Levine, Bert Acosta, Clarence Chamberlin, Noel Davis, Floyd Bennett and Richard E. Byrd, the polar explorer already accustomed to the “hero business.” And, of course, a young mail pilot and his plane, Spirit of St. Louis. The glare attending Charles Lindbergh’s triumph has all but obscured his rivals, almost every one of whom was better known, better equipped, more experienced and at least as able. Without diminishing the Lone Eagle’s achievement, Jackson (The Thief at the End of the World: Rubber, Power, and the Seeds of Empire, 2008, etc.) makes clear the “cult of Lindbergh” would have evaporated had he not won, and that a combination of skill, luck and the misfortunes of his competitors allowed him to survive the “Great Atlantic Derby” and relegate his competitors to footnotes. Jackson rescues the stories of these and other fliers, some of them killed, the rest severely marked by the great race. Throughout, he folds in unfailingly apt observations about the psychology of aviators, the peculiar mix of wealth and want that characterized the 1920s, the hunger for heroes, the role of chance and the turbocharging effect of mass media.
With stirring detail and perceptive insight about the pilots and the public, Jackson recaptures the tone and tenor of a frantic era’s national obsession.Pub Date: May 15, 2012
ISBN: 978-0-374-10675-1
Page Count: 592
Publisher: Farrar, Straus and Giroux
Review Posted Online: March 4, 2012
Kirkus Reviews Issue: March 15, 2012
BOOK REVIEW
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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