by Joe Kulka ; illustrated by Joe Kulka ‧ RELEASE DATE: Sept. 1, 2015
It’s hard to dig up a new angle on Santa’s cast of helpers, but the Coal Man is a nugget of originality.
A new helper for Santa is introduced as an elderly, elfin man who provides the lumps of coal for the stockings of naughty boys and girls.
Each year the Coal Man searches through his coal mine with the help of his pet canary and his hardworking mule, gathering enough coal to sell to Santa for Christmas deliveries. The Coal Man wants to retire to a tropical island with his pets, but he can’t afford to quit working. This year, when they deliver their annual load to the North Pole, Santa announces that he will stop giving out lumps of coal, as the negative disciplinary tactic isn’t working. Instead, Santa wants to try a special positive reward for the well-behaved children. The depressed Coal Man is sent away with one bag of coal as a souvenir, but when he slips on the ice, the lumps of coal spill out into the snow, mysteriously transformed into huge diamonds. The Coal Man retires to his island, working for Santa painting shells to tuck in the stockings of “the best good boys and girls.” Humorous illustrations, a large trim size, and double-page–spread format make this a good choice for reading aloud to a group. The full-bleed artwork uses a dark palette of purples and blues, with vibrant flashes from Christmas lights, firelight, and the northern lights illuminating the Coal Man’s exciting discovery of his Christmas gift from Santa.
It’s hard to dig up a new angle on Santa’s cast of helpers, but the Coal Man is a nugget of originality. (Picture book. 4-7)Pub Date: Sept. 1, 2015
ISBN: 978-1-4677-1607-9
Page Count: 32
Publisher: Carolrhoda
Review Posted Online: Aug. 11, 2015
Kirkus Reviews Issue: Sept. 1, 2015
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by James Patterson & Joe Kulka ; illustrated by Joe Kulka
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers
BOOK REVIEW
by Drew Daywalt ; illustrated by Oliver Jeffers
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by Drew Daywalt & illustrated by Oliver Jeffers
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SEEN & HEARD
SEEN & HEARD
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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More by Marilyn Sadler
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by Marilyn Sadler ; illustrated by Stephanie Laberis
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by Eric Comstock & Marilyn Sadler ; illustrated by Eric Comstock
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by Marilyn Sadler ; illustrated by Ard Hoyt
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