A well-paced and engaging account, highly relevant to current political debates.
Ambitious exposé of the troubled immigration system as seen through the lens of two African migrants’ experiences.
Meno, a professor of creative writing and prolific fiction writer, tracks the grueling journeys of his complexly rendered protagonists, Razak and Seidu, both from Ghana, one fleeing a murderous family dispute, the other a promising soccer player facing persecution after being outed as bisexual. The author portrays them convincingly as hapless pawns in a massive explosion of migration, countered in the Americas with greed and cruelty. Even for those with legitimate reasons to seek shelter, like his protagonists, “the asylum process in the U.S. has become its own inviolable system.” The narrative is both sprawling and controlled, as Meno alternates between a terrifying account of their attempts to reach safety across the Canadian border during a blizzard and the longer-term arc of their improbable, brutal journeys as migrants. Both men traveled through Central America, facing constant danger and abuse. Applying for asylum at the American border, they discovered an unfortunate truth: that the post–9/11 realignment of homeland security “had far-reaching political and cultural consequences, immediately changing how refugees and asylum seekers were publicly viewed.” Razak was detained for two years at a remote private prison, feeling “he had been taken out of the world.” Seidu was also detained, eventually bonded to his brother’s custody: “It was almost too much, this homecoming, this feeling of unabashed love and support” Yet, despite his credible fear, his request for asylum was denied without explanation, prompting his flight to Canada. Similarly, Razak found a life in New York but fled north after being scheduled for deportation. The narrative is dispiriting, as Meno documents the Kafkaesque, for-profit reality of today’s immigration morass, but Meno writes deftly, with a fine sense of detail and place, bringing an all-too-common story to life.
A well-paced and engaging account, highly relevant to current political debates.Pub Date: June 2, 2020
ISBN: 978-1-64009-314-0
Page Count: 336
Publisher: Counterpoint
Review Posted Online: March 18, 2020
Kirkus Reviews Issue: April 15, 2020
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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