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FIRST YOU WRITE A SENTENCE

THE ELEMENTS OF READING, WRITING...AND LIFE

Moran writes fluidly and elegantly, offering practical advice on giving one's writing texture and verve.

A dense yet splendid “style guide by stealth” that reads like a two-semester course in English composition distilled into a two-week treatise.

The question is how, apart from multiple readings, one might absorb all the wisdom in a single gulp. Moran (English and Cultural History/Liverpool John Moores Univ.; Shrinking Violets: The Secret Life of Shyness, 2017, etc.) believes that by “mastering” one of the fundamental building blocks of language—the sentence—we learn not merely about writing, but about everything. It’s a sweeping claim, but Moran backs it up, giving us mostly trenchant sentences on the art of creating them. A sultan of syntax, he wants to show rather than teach, and he generally succeeds. He likens good prose to good poetry, both taking wing on the rhythm, meter, and music of language. Writing is an artisanal craft, or should be, employing meticulous care and execution. Moran extols the virtues of the plain style—like cooking, “a sentence should rely more on quality ingredients than baroque artifice”—but cautions against fetishizing the unadorned, introducing ways to make more elaborate sentences work. Whatever the style, good sentences give order to our thoughts and clarity to the reader, but they must also sing on the page and in the reader's mind. Moran links themes with illustrative asides, as in his short history of writing, but mainly, he critiques the common novice mistakes and veteran's misjudgments, demonstrating skillful alternatives. At times, the author will make even experienced writers feel inept, especially in his discussions of arcane grammatical terms. Still, his tone is comradely, not chiding. Oddly, one point Moran does not address is the element of talent. Everyone's writing can be improved, but all the technique in the world won't make a mediocre talent an exceptional one.

Moran writes fluidly and elegantly, offering practical advice on giving one's writing texture and verve.

Pub Date: Aug. 13, 2019

ISBN: 978-0-14-313434-3

Page Count: 240

Publisher: Penguin

Review Posted Online: May 6, 2019

Kirkus Reviews Issue: June 1, 2019

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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