Richly textured, compulsively readable, and brilliant throughout.
An art auctioneer gets entangled with a Russian oligarch.
It’s 2013, and Martin, a junior specialist at a posh London auction house, spends his days wheeling and dealing with art-collecting elites and his evenings drinking beer in a grubby basement apartment with his depressed musician roommate. Then one evening Oleg Gorelov—a Russian oligarch with a checkered past and a peerless art collection—comes into the house and casually buys a Basquiat for 10 million pounds. Oleg’s far younger wife, Marina, is Martin’s old college friend, and in the wake of the sale, she and Martin resume their acquaintance. This gives Martin access to Oleg, who eventually shows Martin a work by Russian painter Kazimir Malevich that art historians believed lost. If Martin can acquire that painting for sale by the house, it will drastically boost his career. But Martin’s growing proximity to the Gorelovs soon gets complicated: First, his friendship with Marina evolves into something they have to hide; then Oleg decides he’s going to remake himself (and the country he helped plunder) by challenging Putin’s reign and running for president on a reformist platform. Reed’s riveting second novel is at once a romance, a geopolitical thriller, a meditation on art, and an investigation of the moral compromises that everyone makes in the gravitational presence of wealth. Reed does a masterful job of complicating his characters’ motivations. Does Marina feel something special for Martin, or is she just dissatisfied with Oleg? Can Martin’s interests in Marina be uncoupled from his interest in Oleg’s art collection? To what extent is Martin’s love of painters like Malevich influenced by his knowledge of the insane value that the art market places on Malevich’s work? Are Oleg’s reformist ambitions motivated by a sincere regret about the nation-ruining side effects of his ruthless accumulation of wealth, or is he just nostalgic for the “wild years” when he could profit from his visions unencumbered by weak constraints like guilt?
Richly textured, compulsively readable, and brilliant throughout.Pub Date: March 22, 2022
ISBN: 978-1-982121-62-4
Page Count: 352
Publisher: Simon & Schuster
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
BOOK REVIEW
PERSPECTIVES
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.
Stephanie Plum’s 31st adventure shows that Trenton’s preeminent fugitive-apprehension agent still has plenty of tricks up her sleeve, and needs every one of them.
The current caseload for Stephanie and Lula—the ex-prostitute file clerk at her cousin Vincent Plum’s bail bonds company, who serves as her unflappable sidekick—begins with two “failures to appear.” Eugene Fleck is suspected of being Robin Hoodie, who robs from the rich and, yes, distributes the proceeds to the poor. Racketeer Bruno Jug, who’s missed his court date on charges of tax evasion, is also suspected of drugging and raping a 14-year-old. But neither of these fugitives can hold a candle to Zoran Djordjevic, aka Fang, a self-proclaimed vampire wanted in connection with the gruesome fate of his late wife and three other missing women. As usual, Stephanie’s personal life is just as helter-skelter as her professional life as a bounty hunter. She’s managed to get herself engaged both to Det. Joe Morelli, of the Trenton PD, and Ranger, a former Special Forces agent who runs a private security firm; she thinks she may be pregnant; and she’s willing to marry the father, whichever of her fiances that turns out to be. On top of it all, her nothingburger schoolmate Herbert Slovinski suddenly pops up at one of the funerals she ferries her Grandma Mazur to, hitting on her relentlessly and gilding his importunities by cleaning and painting her shabby apartment and laying new carpet. Luckily, Lula’s on hand to offer cupcakes that stave off the worst disasters, and whenever this hodgepodge threatens to slow down, another FTA appears, or fails to appear.
As usual, Evanovich handles the funny stuff better (much better) than the mystery stuff.Pub Date: Nov. 5, 2024
ISBN: 9781668003138
Page Count: 320
Publisher: Atria
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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