A welcome return of a witty protagonist.
Private investigator Max Bowman confronts a familiar enemy in the third installment of Canfield’s (Blue Fire, 2016, etc.) thriller series.
Max has no desire to go up against criminal mastermind Andrew Wright again after barely surviving the first two times. But he can’t say no to Kaitlyn Marks, who blames Wright for putting her U.S. senator father into a near-vegetative state (during the events of Blue Fire) and offers to fund an investigation into Wright’s whereabouts. She tells Max that she received a phone call from a woman named Yvonne Vargas, who claims to have proof that she’s Wright’s illegitimate daughter. He leaves New York City to meet Yvonne in Miami, where things quickly spiral out of control. There, he spots Barry Filer, Wright’s lethal second-in-command—and the first suspect when one of Max’s friends turns up dead. News that his beloved dog, Eydie, has run away makes Max return to New York, where a trio of murderous bicyclists torment him. Filer’s recurring, sudden appearances soon threaten not only Max, but also the people around him, including his young cohort Jeremy, aka “PMA” (“Power, Mind, Action”). Meanwhile, the PI delves into Wright’s past, which appears to intersect with his own. The initial mystery, involving Wright’s letters to Yvonne’s mom, quickly takes a back seat as Canfield’s complex story develops. Filer always seems to know where Max is, but specifics on Wright’s latest enigmatic “venture,” dubbed “Red Earth,” are harder to come by. The story heavily refers to preceding books in the series (and occasionally spoils them), so new readers won’t be lost. Still, they should read the previous books, if only to get the full evolution of the father-son dynamic between Max and PMA (whom the PI affectionately calls “kid”) and to appreciate the accumulation of Wright’s fiendish deeds. Max’s first-person narration is more winsome than ever; for instance, his rejoinder to a bodyguard’s reputed ability to rip a phone book in half is, “They still make those?”
A welcome return of a witty protagonist.Pub Date: Feb. 27, 2017
ISBN: 978-0-9975707-2-4
Page Count: 364
Publisher: joined at the hip
Review Posted Online: April 18, 2017
Review Program: Kirkus Indie
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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