A playful introduction to Bessie’s exciting, triumphant, and unforgettable story.
Future black female motorcyclist Bessie Stringfield triumphs over boys who say she can’t join their daily bike races in this fictional imagining of her childhood.
“Have you ever been told you are not enough?” Bessie was. Boys, black and white, are shown telling this darker-skinned girl with very large afro puffs that she isn’t “pretty enough” or “tough enough.” After school, they race past her, laughing when she says she wants to join them. Downcast, Bessie asks Mama if “girls can ride [bikes] fast,” to which Mama replies, “the only one who knows for sure is the Man Upstairs.” At bedtime, she asks in prayer, with one eye open, and then falls asleep. In her dream, she rides like magic through vast landscapes and cityscapes, so fast “she even raced up into the night sky.” She wakes up ready, and that afternoon, when the boys say “Go!” she zooms past them, astonishing everyone. Dark brown, gold, and neutral tones dominate the captivating scenes, which segue skillfully into paragraphs of backmatter information in smaller font about Stringfield’s impressive exploits. She traveled widely on her motorcycle(s) in the mid-20th century, using the Negro Motorist Green Book to stay safe when riding across America. Discrepancies between different versions of her life story are explained as an example of how legends grow.
A playful introduction to Bessie’s exciting, triumphant, and unforgettable story. (Picture book. 5-9)Pub Date: Feb. 5, 2019
ISBN: 978-1-5493-0314-2
Page Count: 40
Publisher: Cub House
Review Posted Online: Dec. 21, 2018
Kirkus Reviews Issue: Jan. 15, 2019
BOOK REVIEW
BOOK REVIEW
A powerful retrospective glimpse at a key event.
A vibrantly illustrated account of the Birmingham Children’s Crusade through the eyes of a young girl who volunteers to participate.
Morrison’s signature style depicts each black child throughout the book as a distinct individual; on the endpapers, children hold signs that collectively create a “Civil Rights and the Children’s Crusade” timeline, placing the events of the book in the context of the greater movement. When Dr. Martin Luther King Jr. comes to speak at her church, a girl and her brother volunteer to march in their parents’ stead. The narrative succinctly explains why the Children’s Crusade was a necessary logistical move, one that children and parents made with careful consideration and despite fear. Lines of text (“Let the children march. / They will lead the way // The path may be long and / troubled, but I’m gonna walk on!”) are placed within the illustrations in bold swoops for emphasis. Morrison’s powerful use of perspective makes his beautiful oil paintings even more dynamic and conveys the intensity of the situations depicted, including the children’s being arrested, hosed, and jailed. The child crusaders, regardless of how badly they’re treated, never lose their dignity, which the art conveys flawlessly. While the children win the day, such details as the Confederate flag subtly connect the struggle to the current day.
A powerful retrospective glimpse at a key event. (timeline, afterword, artist’s statement, quote sources, bibliography) (Picture book. 5-9)Pub Date: Jan. 2, 2018
ISBN: 978-0-544-70452-7
Page Count: 40
Publisher: HMH Books
Review Posted Online: Oct. 15, 2017
Kirkus Reviews Issue: Nov. 1, 2017
BOOK REVIEW
Innocuous adventuring on the smallest of scales.
The Mouse and the Motorcycle (1965) upgrades to The Mice and the Rolls-Royce.
In Windsor Castle there sits a “dollhouse like no other,” replete with working plumbing, electricity, and even a full library of real, tiny books. Called Queen Mary’s Dollhouse, it also plays host to the Whiskers family, a clan of mice that has maintained the house for generations. Henry Whiskers and his cousin Jeremy get up to the usual high jinks young mice get up to, but when Henry’s little sister Isabel goes missing at the same time that the humans decide to clean the house up, the usually bookish big brother goes on the adventure of his life. Now Henry is driving cars, avoiding cats, escaping rats, and all before the upcoming mouse Masquerade. Like an extended version of Beatrix Potter’s The Tale of Two Bad Mice (1904), Priebe keeps this short chapter book constantly moving, with Duncan’s peppy art a cute capper. Oddly, the dollhouse itself plays only the smallest of roles in this story, and no factual information on the real Queen Mary’s Dolls’ House is included at the tale’s end (an opportunity lost).
Innocuous adventuring on the smallest of scales. (Fantasy. 6-8)Pub Date: Jan. 3, 2017
ISBN: 978-1-4814-6575-5
Page Count: 144
Publisher: Aladdin
Review Posted Online: Sept. 18, 2016
Kirkus Reviews Issue: Oct. 1, 2016
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