by Joël Dicker ; translated by Robert Bononno ‧ RELEASE DATE: Sept. 13, 2022
A flawed outing that may disappoint even Dicker’s fans.
Swiss writer Dicker's latest thriller concerns a corpse in a hotel room and a fight for the top job at a private Geneva bank.
As in his breakout novel, The Truth About the Harry Quebert Affair (2014), Dicker has a framing story here about a writer. Only this one is named Joël, and he refers frequently to his beloved publisher, Bernard de Fallois, the name of the real author’s publisher, who shepherded Quebert and died in 2018. Whatever tribute was intended, though, it seems a dubious one given the novel’s problems. In the framing story, the writer stumbles on an unsolved murder and investigates while using the material to write his latest thriller, which is—you guessed it. As for the corpse, the crime occurred when a new bank president was about to be named. The likeliest candidate, the former bank chief’s son, may be sidelined because 15 years earlier he traded his shares to a shady financier in exchange for something outside the banking world (the potential for spoilers makes it hard to be more precise). The heart of the story concerns a love triangle as well as the love/hate between fathers, or father surrogates, and sons. But that worthy heart is smothered in layers of adipose backstory, and the tortuous plot proves nearly impossible to follow given the constant shifts among, and fuzziness of, the three main time frames. Fast readers may get the most enjoyment from all this if they can fly lightly over the clunky dialogue, flat characters, improbable behavior (“Sagamore, swallowing the last slice of pizza, stood up”), repetitions, and clichés, and so quickly motor past the first 400 pages to the point where the investigation finally picks up some speed. But that pleasure is short-lived, for the plot twists soon take over and quickly evolve from surprising to utterly implausible.
A flawed outing that may disappoint even Dicker’s fans.Pub Date: Sept. 13, 2022
ISBN: 978-0-06-309881-7
Page Count: 592
Publisher: HarperVia
Review Posted Online: June 7, 2022
Kirkus Reviews Issue: July 1, 2022
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by Joël Dicker ; translated by Robert Bononno
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by Pascale Kramer ; translated by Robert Bononno
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by Nahal Tajadod & translated by Robert Bononno
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Freida McFadden ‧ RELEASE DATE: Jan. 28, 2025
Soapy, suspenseful fun.
A remembered horror plunges a pregnant woman into a waking nightmare.
Tegan Werner, 23, barely recalls her one-night stand with married real estate developer Simon Lamar; she only learns Simon’s name after seeing him on the local news five months later. Simon wants nothing to do with the resulting child Tegan now carries and tells his lawyer to negotiate a nondisclosure agreement. A destitute Tegan is all too happy to trade her silence for cash—until a whiff of Simon’s cologne triggers a memory of him drugging and raping her. Distraught and eight months pregnant, Tegan flees her Lewiston, Maine, apartment and drives north in a blizzard, intending to seek comfort and counsel from her older brother, Dennis; instead, she gets lost and crashes, badly injuring her ankle. Tegan is terrified when hulking stranger Hank Thompson stops and extricates her from the wreck, and becomes even more so when he takes her to his cabin rather than the hospital, citing hazardous road conditions. Her anxiety eases somewhat upon meeting Hank’s wife, Polly—a former nurse who settles Tegan in a basement hospital room originally built for Polly’s now-deceased mother. Polly vows to call 911 as soon as the phones and power return, but when that doesn’t happen, Tegan becomes convinced that Hank is forcing Polly to hold her prisoner. Tegan doesn’t know the half of it. McFadden unspools her twisty tale via a first-person-present narration that alternates between Tegan and Polly, grounding character while elevating tension. Coincidence and frustratingly foolish assumptions fuel the plot, but readers able to suspend disbelief are in for a wild ride. A purposefully ambiguous, forward-flashing prologue hints at future homicide, establishing stakes from the jump.
Soapy, suspenseful fun.Pub Date: Jan. 28, 2025
ISBN: 9781464227325
Page Count: 384
Publisher: Poisoned Pen
Review Posted Online: Feb. 1, 2025
Kirkus Reviews Issue: March 1, 2025
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