by Joel F. Harrington ‧ RELEASE DATE: March 19, 2013
An accessible, even inviting portrait of the professional killer, despite the gruesome detail.
A sympathetic revelation of the surprisingly poignant inner life of a pious Lutheran executioner.
A historian of early modern German history at Vanderbilt, Harrington (The Unwanted Child: The Fate of Foundlings, Orphans, and Juvenile Criminals in Early Modern Germany, 2009) has delved at length into a personal journal kept over a remarkable 45-year career by the executioner of Nuremberg, Frantz Schmidt; the journal reveals that he was keeping it for very public reasons. Schmidt began the journal at age 19 in 1573, when he was just an apprentice to his father, the executioner of Bamberg. After a stint as a journeyman, Schmidt attained the status of master by age 24 and procured a plum job in the thriving industry town of Nuremberg, where he plied his trade with exemplary dignity for the next 40 years, recording some 394 deaths and countless acts of flogging and torture. Some of the entries offer more detail than others, but overall, Schmidt shows he was a willing executioner, even a passionate one, in terms of his righteous sense of administering due punishment in the face of senseless, random injustice. He was also an abstemious, disciplined professional who brought rigorous standards to a trade notorious for its violence and instability. Moreover, Harrington reveals some subtle yet telling details in the journal, attesting to the scholar’s expertise in German and his doggedness in going back to Schmidt’s original manuscript rather than relying on later, edited versions. Despite its authorial diffidence, “an evolving self-identity became ever more pronounced,” as Schmidt shows his obsession with social standing and a sense of righting his own familial injustice. What he wanted was what everyone strove for: a better life for his children. A whole teeming world of Reformation Germany comes alive in this well-handled historical reconstruction.
An accessible, even inviting portrait of the professional killer, despite the gruesome detail.Pub Date: March 19, 2013
ISBN: 978-0-8090-4992-9
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: Dec. 10, 2012
Kirkus Reviews Issue: Jan. 1, 2013
HISTORY | MODERN | WORLD | GENERAL HISTORY
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by David Grann ‧ RELEASE DATE: April 18, 2017
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
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Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
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BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
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