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ALTAMONT

THE ROLLING STONES, THE HELLS ANGELS, AND THE INSIDE STORY OF ROCK'S DARKEST DAY

The detailing of the actual concert reads like old news, and the sourcing could be clearer, but this is a compelling...

An incisive account of the most infamous concert debacle in rock history.

Most music fans know all they need to about Altamont, the ill-conceived and hastily planned free show near San Francisco for which the Hells Angels provided “security” and killed one man in the process. All of this was chronicled in the classic 1970 documentary Gimme Shelter. Veteran San Francisco Chronicle music journalist Selvin (Here Comes the Night: The Dark Soul of Bert Berns and the Dirty Business of Rhythm and Blues, 2014, etc.) acknowledges the film’s power. However, he writes, “the filmmakers used their material brilliantly to tell a story, but they tell only a slender slice of the entire drama and if it is not exactly a lie, it is far from the whole truth.” This book provides context and perspective, showing the sea change in rock that was taking place as the Rolling Stones attempted to reassert themselves amid the increasing dominance of San Francisco psychedelia and the spirit of Woodstock. There are all sorts of culture clashes here: between the Rolling Stones and the Grateful Dead, profiteers and anarchists, drugs and alcohol, hippies and bikers. They all came together at Altamont, a speedway more accustomed to crowds in the low thousands and a last-minute site because the Stones’ focus on their film and its distribution had complicated the process. There are more victims here than the young black man who was killed (and whose killer was acquitted), there are no heroes, and there is plenty of blame to spread around: to the Dead for suggesting the Angels, to the Angels for acting like the Angels, and to at least one suspicious character who claimed to act on the Stones’ behalf. However, Selvin concludes with most of the blood on the hands of the Stones.

The detailing of the actual concert reads like old news, and the sourcing could be clearer, but this is a compelling analysis of an event that hadn’t seemed like it needed anything more written about it.

Pub Date: Aug. 16, 2016

ISBN: 978-0-06-244425-7

Page Count: 352

Publisher: Dey Street/HarperCollins

Review Posted Online: May 17, 2016

Kirkus Reviews Issue: June 1, 2016

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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