A sobering account of how governments have used Covid-19 as a pretext for limiting freedom.
Two advocates for journalists’ rights reveal the severe blows to free expression and democracy inflicted by world leaders’ repressive actions during the pandemic.
Drawing on their work with the Committee to Protect Journalists, Simon and Mahoney map the alarming spread of what the World Health Organization calls “the infodemic”—“the flood of misinformation, lies, rumors, half-truths,” and other ills that authorities worldwide have deployed to weaponize Covid-19, risking lives and undermining freedom. “Censorship has been a defining feature of the…pandemic,” they write. Legal and journalistic purists may take issue with their expansion of the traditional definition of censorship to include not just the suppression of information, but its manipulation for harmful ends, as by promoting false narratives or spying on citizens electronically, purportedly to promote public safety. But it’s hard to argue with the wealth of facts, quotes, and stories the authors use to support their case. A startling number of countries have become “less free” during the pandemic: 91 have imposed new censorship measures, and in 80, democracy and human rights have deteriorated, according to a 2020 report by the democracy watchdog Freedom House. The infodemic may have begun when China lied about the origins of Covid-19 (at one point claiming that it originated in imported “frozen food”), but it spread quickly to democracies like Brazil, which pumped out misinformation; and Israel and Norway, which “coerced or cajoled” citizens into releasing personal data on dubious grounds. The “most disappointing result by far” has occurred in India, which Freedom House downgraded from a “free” to “partly free” country after Prime Minister Narendra Modi cracked down on the press, shut down the courts, and vilified Muslims by suggesting that they were spreading the virus. Few readers will disagree with the authors’ conclusion that, in response to such crises, people everywhere must “stand up for our right to speak freely.”
A sobering account of how governments have used Covid-19 as a pretext for limiting freedom.Pub Date: April 26, 2022
ISBN: 978-1-73591-368-1
Page Count: 192
Publisher: Columbia Global Reports
Review Posted Online: Jan. 31, 2022
Kirkus Reviews Issue: March 1, 2022
A philosophically rich critique of state violence and mass apathy.
An Egyptian Canadian journalist writes searchingly of this time of war.
“Rules, conventions, morals, reality itself: all exist so long as their existence is convenient to the preservation of power.” So writes El Akkad, who goes on to state that one of the demands of modern power is that those subject to it must imagine that some group of people somewhere are not fully human. El Akkad’s pointed example is Gaza, the current destruction of which, he writes, is causing millions of people around the world to examine the supposedly rules-governed, democratic West and declare, “I want nothing to do with this.” El Akkad, author of the novel American War (2017), discerns hypocrisy and racism in the West’s defense of Ukraine and what he views as indifference toward the Palestinian people. No stranger to war zones himself—El Akkad was a correspondent in Afghanistan and Iraq—he writes with grim matter-of-factness about murdered children, famine, and the deliberate targeting of civilians. With no love for Zionism lost, he offers an equally harsh critique of Hamas, yet another one of the “entities obsessed with violence as an ethos, brutal in their treatment of minority groups who in their view should not exist, and self-decreed to be the true protectors of an entire religion.” Taking a global view, El Akkad, who lives in the U.S., finds almost every government and society wanting, and not least those, he says, that turn away and pretend not to know, behavior that we’ve seen before and that, in the spirit of his title, will one day be explained away until, in the end, it comes down to “a quiet unheard reckoning in the winter of life between the one who said nothing, did nothing, and their own soul.”
A philosophically rich critique of state violence and mass apathy.Pub Date: Feb. 25, 2025
ISBN: 9780593804148
Page Count: 224
Publisher: Knopf
Review Posted Online: Dec. 14, 2024
Kirkus Reviews Issue: Jan. 15, 2025
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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