by Joëlle Jolivet ; illustrated by Joëlle Jolivet ‧ RELEASE DATE: Sept. 15, 2017
A literal as well as figurative round that cinematically captures a sense of daily rhythms at this popular gathering place.
Observations of hustle and bustle on both sides of a beach’s waterline.
Printed on a long continuous strip that, once pulled out of its sleeve, can either be examined section by folded section or opened into a large circle, Jolivet’s wordless linocut scenes record the passage of a day and a night on Elliot’s Beach, near the southern Indian city of Chennai. Viewers who begin where night gives way to dawn can see fishing boats pushed out in the background, joggers and commuters in modern or traditional dress and conveyances passing in the foreground, and goats and other animals sharing the sand in between with beached catamarans and people on diverse errands. Along with stands and small dwellings, morning crowds of vendors and visitors suddenly appear, vanish in the afternoon heat, then return in early evening until darkness brings another temporary lull. The author supplies general commentary for all of this on the sleeve, but she also invites readers to identify or make up stories about what her figures are doing—and, if so moved, to color them in. She herself colors only the ocean, with a solid blue that continues around to the loop’s inside, where schools of unlabeled but identifiable fish and other sea life (also, potentially, colorable) are thickly packed.
A literal as well as figurative round that cinematically captures a sense of daily rhythms at this popular gathering place. (diagram of display options) (Novelty. 5-7)Pub Date: Sept. 15, 2017
ISBN: 978-93-83145-67-6
Page Count: 16
Publisher: Tara Publishing
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Dec. 1, 2017
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by Katherine Pryor & illustrated by Anna Raff ‧ RELEASE DATE: Nov. 6, 2012
Very young gardeners will need more information, but for certain picky eaters, the suggested strategy just might work.
A young spinach hater becomes a spinach lover after she has to grow her own in a class garden.
Unable to trade away the seed packet she gets from her teacher for tomatoes, cukes or anything else more palatable, Sylvia reluctantly plants and nurtures a pot of the despised veggie then transplants it outside in early spring. By the end of school, only the plot’s lettuce, radishes and spinach are actually ready to eat (talk about a badly designed class project!)—and Sylvia, once she nerves herself to take a nibble, discovers that the stuff is “not bad.” She brings home an armful and enjoys it from then on in every dish: “And that was the summer Sylvia Spivens said yes to spinach.” Raff uses unlined brushwork to give her simple cartoon illustrations a pleasantly freehand, airy look, and though Pryor skips over the (literally, for spinach) gritty details in both the story and an afterword, she does cover gardening basics in a simple and encouraging way.
Very young gardeners will need more information, but for certain picky eaters, the suggested strategy just might work. (Picture book. 5-7)Pub Date: Nov. 6, 2012
ISBN: 978-0-9836615-1-1
Page Count: 32
Publisher: Readers to Eaters
Review Posted Online: Sept. 25, 2012
Kirkus Reviews Issue: Oct. 15, 2012
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by Katherine Pryor ; illustrated by Ellie Peterson
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by Katherine Pryor ; illustrated by Polina Gortman
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by Paul Goble ‧ RELEASE DATE: Aug. 1, 1978
There are many parallel legends – the seal women, for example, with their strange sad longings – but none is more direct than this American Indian story of a girl who is carried away in a horses’ stampede…to ride thenceforth by the side of a beautiful stallion who leads the wild horses. The girl had always loved horses, and seemed to understand them “in a special way”; a year after her disappearance her people find her riding beside the stallion, calf in tow, and take her home despite his strong resistance. But she is unhappy and returns to the stallion; after that, a beautiful mare is seen riding always beside him. Goble tells the story soberly, allowing it to settle, to find its own level. The illustrations are in the familiar striking Goble style, but softened out here and there with masses of flowers and foliage – suitable perhaps for the switch in subject matter from war to love, but we miss the spanking clean design of Custer’s Last Battle and The Fetterman Fight. 6-7
Pub Date: Aug. 1, 1978
ISBN: 0689845049
Page Count: -
Publisher: Bradbury
Review Posted Online: April 26, 2012
Kirkus Reviews Issue: Sept. 1, 1978
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