THE LOCAL

A Texas patent lawyer gets embroiled in a murder trial in this debut novel.

The small city of Marshall, in eastern Texas, has for years been a favored venue for intellectual-property trials, the kind of cases in which the narrator, lawyer James Euchre, has thrived. In the book’s well-paced opening, Euchre is retained for a new patent lawsuit, his client has a violent in-court episode after an adverse ruling by a judge who’s been Euchre’s mentor, and police arrest the client after the judge is murdered. Euchre is the genre’s typically troubled, brooding quasi-underdog, a heavy drinker overshadowed by a famous lawyer father and struggling with his first murder trial. In this area he gets help and a little romance from one of the book’s rare women, a former prosecuting attorney. For welcome glints of humor, there’s Euchre’s investigator, a wisecracking gay woman known as The Leg for her place-kicking prowess. For trademark humor, intellectual-property lawyers lunch at a place called Central Perks, recalling the Friends coffee shop. Hartstone, who has written screenplays for film (Shock and Awe) and TV (The Good Fight), displays a sure hand with the pointed adversarial dialogue that fuels legal thrillers. He builds a nice level of tension in Euchre’s efforts to cope with an abrasive, evasive client and in the lawyer’s legal missteps and local feuds, even combining the two when Euchre goes after a man who once dated his wife. The courtroom scenes have some standout moments, but much of the action is elsewhere, in the Euchre team’s detective work. Through all this, Hartstone weaves two themes, of which one, about small towns and their secrets, was well worn in Harper Lee’s time and doesn’t add much heft here. The other concerns fathers and sons, which Hartstone sustains well through several relevant variations.

A generally impressive first outing from a talented writer.