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YOUR LOVE IS NOT GOOD

A resplendent and fearless book. Must read.

A queer Korean American artist interrogates the legacy and aftermath of Whiteness in the form of beauty, suffering, desire, and the complex interchange of power in this autofictive roman à clef.

The narrator of this lush and brutal novel is a study in dualities. Her father is Korean and abandons the family when she is around 10; her mother is White and loves her in a narcissistic, abusive way. Moreover, the narrator is a painter whose career centers in both the sweltering sunshine of Los Angeles and the eternal nocturne of Berlin, a figurative artist whose work underscores the complex interdependence of beauty, race, and power even as it nods to Western art’s tradition of “painting beautiful white women, the kind who always had more money, beauty and power than the painter”; and she is a queer woman with a submission kink whose “fetish for giving away…power [is] actually about controlling it.” After a period of relative stasis in her career, the narrator has two important solo shows lined up but finds herself without inspiration. Her search for a muse leads to Hanne, an LA art-world siren who initially attracts her with the proud, heedless power of her beauty and quickly becomes the focal point not only for the narrator's art, but also for the dynamic conflict between the narrator's own ideas about Whiteness—how it is “hard to paint precisely because it’s everywhere and in everything.…It’s the image of the world. And yet no one can see it for itself because there’s no such thing as an ipseity of white…”—and desire, where it comes from and who controls both its expression and its repercussions. The paintings of Hanne result in the narrator's first sold-out show, but just as she is poised to capitalize on that success, an influential Black performance artist publishes a petition calling for all artists of color to boycott museums and galleries with operating budgets over $1 million for their imperialist and racist exploitation of those artists, with the narrator's upcoming venues among them. Conflicted over the opposing impulses of her desire for recognition and solidarity, economic success and artistic authenticity, excellence and anonymity, the narrator spends a long, dark night of the soul spiraling around the splendor of self-destruction like a moth to a singular flame. Impassioned, wry, compassionate, and hell-raising, this novel illuminates its frangible but resilient world the way a painter uses color on canvas to illuminate the focal point of her vision—building layer after layer of meaning until the image appears as if it has always been there for us to see.

A resplendent and fearless book. Must read.

Pub Date: May 23, 2023

ISBN: 9781913505660

Page Count: 320

Publisher: And Other Stories

Review Posted Online: March 27, 2023

Kirkus Reviews Issue: April 15, 2023

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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IT STARTS WITH US

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

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The sequel to It Ends With Us (2016) shows the aftermath of domestic violence through the eyes of a single mother.

Lily Bloom is still running a flower shop; her abusive ex-husband, Ryle Kincaid, is still a surgeon. But now they’re co-parenting a daughter, Emerson, who's almost a year old. Lily won’t send Emerson to her father’s house overnight until she’s old enough to talk—“So she can tell me if something happens”—but she doesn’t want to fight for full custody lest it become an expensive legal drama or, worse, a physical fight. When Lily runs into Atlas Corrigan, a childhood friend who also came from an abusive family, she hopes their friendship can blossom into love. (For new readers, their history unfolds in heartfelt diary entries that Lily addresses to Finding Nemo star Ellen DeGeneres as she considers how Atlas was a calming presence during her turbulent childhood.) Atlas, who is single and running a restaurant, feels the same way. But even though she’s divorced, Lily isn’t exactly free. Behind Ryle’s veneer of civility are his jealousy and resentment. Lily has to plan her dates carefully to avoid a confrontation. Meanwhile, Atlas’ mother returns with shocking news. In between, Lily and Atlas steal away for romantic moments that are even sweeter for their authenticity as Lily struggles with child care, breastfeeding, and running a business while trying to find time for herself.

Through palpable tension balanced with glimmers of hope, Hoover beautifully captures the heartbreak and joy of starting over.

Pub Date: Oct. 18, 2022

ISBN: 978-1-668-00122-6

Page Count: 352

Publisher: Atria

Review Posted Online: July 26, 2022

Kirkus Reviews Issue: Aug. 15, 2022

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