by Johanna Hurwitz & illustrated by Patience Brewster ‧ RELEASE DATE: Oct. 1, 2000
A precocious guinea pig finds himself adrift in Central Park in a tale of high adventure. Readers follow Pee-Wee’s progress as he moves from pet shop to the apartment of his new owner, Robbie. When Robbie’s mother’s abhorrence of anything rodent-like leads to Pee-Wee’s abrupt arrival in the park, the naïve foundling endures several harrowing encounters with creatures of both the two-legged and four-legged variety. With the help of his new squirrel friend Lexi, Pee-Wee soon acquires some street smarts and a taste for freedom. A remarkable ability to read—he was taught by his mother from the newspaper scraps underneath their cage—enables Pee-Wee to warn Lexi and some other squirrel families that their trees are going to be cut down, engendering for him hero status among the park animals. When he discovers Robbie at the park one day, Pee-Wee decides that, perilous though it may be, he has learned to love his freedom. Told from the guinea pig’s perspective, the animals in Hurwitz’s tale come off sounding a whole lot more reasonable than their human counterparts. She liberally infuses the story with wry humor; the fast-talking Lexi’s speech is peppered with adages that have received a squirrel twist—“A nut in the jaw is worth two in the paw”—and keeps the tale moving at a swift pace. Brewster’s appealing pencil sketches appear sporadically throughout the text, complementing the tale. Winsome drawings depicting Pee-Wee’s wide-eyed gaze and stout, fluffy little body are sure to melt even the hardest of hearts. A caveat: this tale of freedom gained may leave readers longing to emancipate their own caged darlings. (Fiction. 7-9)
Pub Date: Oct. 1, 2000
ISBN: 1-58717-027-2
Page Count: 96
Publisher: SeaStar/North-South
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2000
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edited by Johanna Hurwitz
by Kwame Alexander & illustrated by Tim Bowers ‧ RELEASE DATE: Sept. 1, 2011
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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by Kwame Alexander & Randy Preston ; illustrated by Melissa Sweet
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by Kwame Alexander & Deanna Nikaido ; illustrated by Melissa Sweet
by April Jones Prince & illustrated by François Roca ‧ RELEASE DATE: Sept. 26, 2005
Strong rhythms and occasional full or partial rhymes give this account of P.T. Barnum’s 1884 elephant parade across the newly opened Brooklyn Bridge an incantatory tone. Catching a whiff of public concern about the new bridge’s sturdiness, Barnum seizes the moment: “’I will stage an event / that will calm every fear, erase every worry, / about that remarkable bridge. / My display will amuse, inform / and astound some. / Or else my name isn’t Barnum!’” Using a rich palette of glowing golds and browns, Roca imbues the pachyderms with a calm solidity, sending them ambling past equally solid-looking buildings and over a truly monumental bridge—which soars over a striped Big Top tent in the final scene. A stately rendition of the episode, less exuberant, but also less fictionalized, than Phil Bildner’s Twenty-One Elephants (2004), illustrated by LeUyen Pham. (author’s note, resource list) (Picture book. 7-9)
Pub Date: Sept. 26, 2005
ISBN: 0-618-44887-X
Page Count: 32
Publisher: Houghton Mifflin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2005
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by April Jones Prince ; illustrated by Christine Davenier
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