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HOME FOR THE HOLIDAYS

Sex and Christian warmth to ring up cash-register rhapsodies.

Regency fluff that might be retitled The Seduction, since at heart its greatest allure is sex, not the Christmas season.

The publisher is puffing Lindsey’s 37th romance, many of its predecessors (54 million copies in print around the world) having rung the New York Times’s #1 bestseller bell, as a sentimental Yuletide heartwarmer. Few of the author’s most ardent fans, though, will see it as other than a piece of pale eroticism with an ending more forced than miraculous. Vincent Everett, Baron Everett of Windsmoor, a canny trader, feels that his brother Albert has been driven into exile, if not to death, by shipping trader George Ascot, who’s gone to the colonies to find new markets. Widower Ascot leaves behind his virgin daughter Larissa and ten-year-old son Thomas to care for their large London house. But Ascot has been gone too long, and panicked creditors demand and take all the funds Larissa has for caring for the house. Lord Everett, meanwhile, bent on avenging his brother, buys up the Ascot property from the realtor who holds the family’s mortgage and instantly forecloses. At his first sight of Larissa, however, he seeks an even stronger vengeance on Ascot by seducing his ecstatically beautiful daughter. So the ravishingly handsome and muscular Everett, 29, clearly a rake who has had numberless bed partners, offers the penniless Larissa and Thomas lodgings at his own fancy digs—her bedroom, in fact, now adjoins his. Not only does Everett want to deflower Larissa in his late brother’s memory, but he finds her seduction much to his own vile taste. When news comes that Larissa’s father is dead, Lord Everett makes his move, and the grieving but bewitched Larissa is soon, well, “feeling him buried deep within her.” With no intent to marry, mind you. And if, miraculously, this rake should marry her, promising fidelity eternal, what reader will believe him?

Sex and Christian warmth to ring up cash-register rhapsodies.

Pub Date: Nov. 1, 2000

ISBN: 0-380-97856-3

Page Count: 256

Publisher: Morrow/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Nov. 1, 2000

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THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

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A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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