A suspenseful and moving work of historical fiction set in a divided Germany.
A novel traces how the construction of the Berlin Wall affects a group of residents.
In the early hours of Aug. 13, 1961, Kirstin Beck leaves her house in East Berlin with the intention of seeking refuge in the city’s Western sector. Doing so means leaving behind her husband, an older college professor with strong socialist convictions, but opens the door to new freedoms away from the oppressive Communist government. Yet as she approaches the border, she finds it milling with guards and workmen. In the following days, as barbed wire blockades are being constructed, it becomes clear that the perimeter is closing for good. Like many others, Kirstin has family in West Berlin that she may never see again, including her aging grandmother. Her only remaining option is to seek help from an acquaintance on the other side of the wall, an American writer named Tony Marino. With his foreign passport, Tony is one of the few able to cross the border at will. After a series of clandestine meetings, he finds himself committed to helping Kirstin and several of her neighbors. Among their number are Dieter Katz, a student undergoing rehabilitation for an attempted escape, and Jacob Werner, a former Nazi doctor under government scrutiny. As the operation grows, the danger mounts, and the government seems to always be a step ahead of their plans. With Stasi (the East German secret police) informants hidden among friends and family, it is impossible to know for sure who can be trusted. Miller includes many well-researched historical details, crafting a rich and descriptive setting. While the harrowing story focuses mainly on Kirstin and Tony, the point of view often shifts to members of the supporting cast. This allows for insight into the minds of many characters without ever revealing their true motives. The novel’s romantic elements are well executed, introducing an endearing subplot and further increasing the emotional stakes. The writing is full of tension and excitement, with compelling and realistically rendered characters. Although the ending is perhaps too neat, the buildup is riveting.
A suspenseful and moving work of historical fiction set in a divided Germany.Pub Date: Dec. 10, 2019
ISBN: 978-1-67386-263-8
Page Count: 366
Publisher: Self
Review Posted Online: March 17, 2020
Kirkus Reviews Issue: May 1, 2020
Review Program: Kirkus Indie
BOOK REVIEW
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.
A retelling of Pinocchio from Geppetto's point of view.
The novel purports to be the memoirs of Geppetto, a carpenter from the town of Collodi, written in the belly of a vast fish that has swallowed him. Fortunately for Geppetto, the fish has also engulfed a ship, and its supplies—fresh water, candles, hardtack, captain’s logbook, ink—are what keep the Swallowed Man going. (Collodi is, of course, the name of the author of the original Pinocchio.) A misfit whose loneliness is equaled only by his drive to make art, Geppetto scours his surroundings for supplies, crafting sculptures out of pieces of the ship’s wood, softened hardtack, mussel shells, and his own hair, half hoping and half fearing to create a companion once again that will come to life. He befriends a crab that lives all too briefly in his beard, then mourns when “she” dies. Alone in the dark, he broods over his past, reflecting on his strained relationship with his father and his harsh treatment of his own “son”—Pinocchio, the wooden puppet that somehow came to life. In true Carey fashion, the author illustrates the novel with his own images of his protagonist’s art: sketches of Pinocchio, of woodworking tools, of the women Geppetto loved; photos of driftwood, of tintypes, of a sculpted self-portrait with seaweed hair. For all its humor, the novel is dark and claustrophobic, and its true subject is the responsibilities of creators. Remembering the first time he heard of the sea monster that was to swallow him, Geppetto wonders if the monster is somehow connected to Pinocchio: “The unnatural child had so thrown the world off-balance that it must be righted at any cost, and perhaps the only thing with the power to right it was a gigantic sea monster, born—I began to suppose this—just after I cracked the world by making a wooden person.” Later, contemplating his self-portrait bust, Geppetto asks, “Monster of the deep. Am I, then, the monster? Do I nightmare myself?”
A deep and grimly whimsical exploration of what it means to be a son, a father, and an artist.Pub Date: Jan. 26, 2021
ISBN: 978-0-593-18887-3
Page Count: 208
Publisher: Riverhead
Review Posted Online: Sept. 29, 2020
Kirkus Reviews Issue: Oct. 15, 2020
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