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A POUND OF PAPER

Name: A POUND OF PAPER
Author: John Baxter
ISBN: 0-312-31725-5

CONFESSIONS OF A BOOK ADDICT

by John Baxter ‧ RELEASE DATE: Dec. 11, 2003

Tasty junk food for book lovers.

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Film biographer Baxter (Woody Allen, 1999, etc.) reveals another true love in this entertaining account of his admittedly nerdy life.

The author is a near-rabid bibliomaniac who has chased first editions across several continents and now lives happily with the cream of his collection in the same Paris building where Sylvia Beach’s Shakespeare & Co. once hosted Joyce, Hemingway, et al. Baxter, who grew up in Australia, dates the conception of his obsession to 1951, when, at 11, he acquired a copy of The Poems of Rupert Brooke. Thereafter, he chased Graham Greene’s ouevre (a collection he eventually sold once he’d acquired just about all there was), works about the cinema, books somehow related to the place where he happened to be living, and volumes by Edward Gorey, Lafcadio Hearn (!), and others. His tenet was “anything can be anywhere,” and, indeed, he did find amazing things in unlikely places. At a Virginia “swap-meet” in the mid-1970s, he discovered a 1927 issue of Sylvia Beach’s periodical transition in a box of what was otherwise rubbish. For that item (and two others) he paid a total of 25 cents. Baxter showers us with anecdotes and bons mots, a majority of them amusing (“Most librarians don’t like books any more than butchers like lamb chops”), but also finds time to trace the history of the dust jacket. He identifies the best cinematic sex scene in a bookshop (The Big Sleep), explains proofs and galleys and limited editions, and tells us why unsuccessful authors sometimes resent signing first editions of their failed books (no profit for them!). Baxter describes the devastating effect of the Internet on ye ole bookshoppes (scads of which have folded) and examines the primitive book trade that now exists on eBay. Like all nerd memoirs, this one features sexual conquests too, but the passages about his love life aren’t as interesting as those voicing his passion for books.

Tasty junk food for book lovers.

Pub Date: Dec. 11, 2003

ISBN: 0-312-31725-5

Page Count: 432

Publisher: Dunne/St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 2003

Categories:

GENERAL NONFICTION

- BOOK REVIEW
OF LOVE AND PARIS
by John Baxter

- BOOK REVIEW
A YEAR IN PARIS
by John Baxter

- BOOK REVIEW
SAINT-GERMAIN-DES-PRÉS
by John Baxter

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.