IMMOVEABLE FEAST

Name: IMMOVEABLE FEAST
Author: John Baxter
ISBN: 978-0-06-156233-4

by John Baxter ‧ RELEASE DATE: Oct. 1, 2008

Scrooges may complain about the ebullient excess celebrated in these rollicking pages, but most readers will greedily...

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Australian by birth, Parisian by marriage, film critic and biographer Baxter (We’ll Always Have Paris, 2005, etc.) makes an amiable, jocular companion in this account of preparing a large Christmas dinner for a house full of French in-laws.

The final two-thirds of his frisky text deals with the peripatetic preparation of a specific meal, though in these same chapters, as earlier, the author digresses often and smoothly into reflections on Christmases past, in Australia and elsewhere. Baxter indulges in some occasional, informal cultural anthropology, for example, comparing the Gallic notion of sin with that of the American. “Providing it is conceived with imagination and carried off with flair,” he writes, the French regard sin as “evidence of endurance, of survival, of life.” He comments on the Gallic passion for the Christmas holiday (everything is closed; everyone is with family) and observes that, contrary to what readers of Julia Child may think, French cooking is essentially simple. Baxter rehearses his own evolution as a cook—in early manhood, he’d cooked for his girlfriends for reasons of economy but discovered its powerful aphrodisiac qualities—and confesses that he’d never much cared for Christmas as a lad (he preferred reading). He chronicles his courtship of his second wife and offers anecdotes about his writing career. But the meat in this pie is Baxter’s account of the Christmas when he cooked a piglet with its skin still in place, accompanied by oysters and fresh fruit. He prepared it Cajun-style, which made finding the right wine a challenge. His in-laws, not spice-lovers, had to be told about the French connection between Cajuns and Acadians before they licked their platters clean.

Scrooges may complain about the ebullient excess celebrated in these rollicking pages, but most readers will greedily consume the succulent narrative.

Pub Date: Oct. 1, 2008

ISBN: 978-0-06-156233-4

Page Count: 272

Publisher: Perennial/HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 2008

Categories:

GENERAL NONFICTION

- BOOK REVIEW
OF LOVE AND PARIS
by John Baxter

- BOOK REVIEW
A YEAR IN PARIS
by John Baxter

- BOOK REVIEW
SAINT-GERMAIN-DES-PRÉS
by John Baxter

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.