Whether you’re planning your first trip to Paris or absolutely have to stop in Paris on your way anywhere, this book, in...
Baxter (Hemingway's Paris: A User's Guide, 2016, etc.) provides another delightful salute to Paris.
Born in Australia, the author first traveled to Paris in 1969. Now married with a daughter, he lives in Saint-Germain-des-Prés village. The area managed to avoid much of Baron Haussmann’s destructive urban renewal, which leaves it with lots of quaint corners filled with shops and fascinating history. As a Paris walking guide, the author delights with anecdotes both historical and current. He takes us through the Cour de Rohan and the Cour du Commerce Saint-André, making even seasoned travelers feel as if no one else knew of their existence. Baxter notes that publisher Jean-Paul Marat’s print shop was at No. 8, while at No. 6, Dr. Joseph-Ignace Guillotin perfected his killing device, “on which hundreds would die until France abandoned capital punishment in 1981.” Among other highlights in the area are chocolatier Debauve, which embossed Marie Antoinette’s sweets with gold; the 18th-century restaurant and salon Privés La Pérouse; Miss Betty’s Brothel; and the unnamed “beat hotel” that “attracted some significant literary figures of the postwar era.” The author doesn’t just note the best places to eat; he differentiates between a brasserie and a bistro and informs us what to eat where. For fans of the bohemian life and 1920s lost generation stars, there are numerous spots to seek out, including the trails of stars like Hemingway, Gertrude Stein, Isadora Duncan, and her even stranger brother, Raymond. As in previous books, the author makes readers feel as they are returning to a familiar, comfortable spot in the company of good friends.
Whether you’re planning your first trip to Paris or absolutely have to stop in Paris on your way anywhere, this book, in addition to the author’s previous guides, is essential.Pub Date: Nov. 8, 2016
ISBN: 978-0-06-243190-5
Page Count: 256
Publisher: Perennial/HarperCollins
Review Posted Online: Aug. 9, 2016
Kirkus Reviews Issue: Sept. 1, 2016
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
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BOOK TO SCREEN
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Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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