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STEVEN SPIELBERG

A slight biography of Spielberg, perhaps the most successful filmmaker of all time. Attempting a biography of an artist at mid-career is always a daunting task, but the remarkable success of director Spielberg (Jaws, Jurassic Park, Schindler's List, etc.) makes such a book inevitable. Unfortunately, Spielberg would not be interviewed for the book. Thus Baxter (Fellini, 1994, etc.) is left with already- published reports and new interviews with co-workers. So while he describes the making of each film and probes the differences between the childlike visionary perceived by the public and the driven, often prickly director and businessman who operates behind the scenes, Baxter never finds the key to the unique personality and talent of this quixotic artist, nor does he get beyond the now- familiar story of Spielberg's evolution from film-obsessed child to filmmaker-phenomenon. Baxter also comes to his subject with the thesis, hardly original, that the superficial plot lines and comic- book mise-en-scänes of Spielberg's films have led to the decline of the narrative film as an art form. But because Baxter never seems to grasp the nature of Spielberg's dazzling style (which at its peak, in thrillers like Jaws and Jurassic Park, involved rigorously planned camera angles and deftly timed editing), he fails to adequately define how that style might have been misused (in more character-driven films such as The Color Purple). In addition, Baxter's credentials as biographer and critic are undermined by mistakes any freshman film student could have corrected (Frank Capra's remake of Lady for a Day is Pocketful of Miracles, not A Hole in the Head, Franáois Truffaut's The Green Room is far from his ``last'' film, Broadcast News was directed by James L. Brooks, not Albert Brooks, etc.). Despite some entertaining behind-the-scenes gossip, Baxter's biography is ultimately as superficial as he accuses Spielberg's films of being. (24 pages b&w photos)

Pub Date: March 30, 1997

ISBN: 0-00-255587-5

Page Count: 457

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 1, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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