Captivated readers will hope that Baxter’s “long conversation” with Paris, still going strong after 14 years, never ends.
Sparkling dispatches about Parisian culture and history from an Australian biographer and film critic who is a longtime City of Light resident.
“All Paris stories are to some extent stories of love,” writes Baxter (A Pound of Paper, 2003, etc.), who combines chapters featuring the city’s golden modern age (the 1920s and ’30s) with material about his permanent move to Paris in 1990 with wife-to-be Marie-Dominique. Twenty-seven brief chapters chart his diverse, erratic interests and the progression of his deepening love affair with the city. In the ’60s, “French” meant “sexy” to the youthful author, as he recalls in “Why Paris?” By 1969, he had sailed for Europe, turning his back on the modest Australian success of his film After Proust because, he jokes, “I just couldn’t bear listening one more time to someone pronounce ‘Proust’ as ‘Prowst.’ ” Living in France, he learned how to drink and eat, or at least how to order in style (“The Food of Love”). But sex occupies more of the text than cuisine, beginning with “The Market in Meat,” which notes that brothels and the gratification of curious fetishes became an important attraction of Paris during the modern era, then lists some of the more infamous clubs that catered to “special tastes.” French voyeurism is the subject of “The Sexual Restaurant,” and “Sacred Monsters” provides a loose-rolling overview of the sexual revolution sparked by the 1959 publication of the erotic paperback Emmanuelle. Baxter’s acquaintance with an American expatriate writer he calls Hugo (“The Man Who Knew”) allowed him access to thrilling archives and personalities that unlocked the city of vice. Meanwhile, Marie-Do got pregnant and gave birth; the couple acquired a family dwelling in the provinces; and the author could finally call his adoptive country home.
Captivated readers will hope that Baxter’s “long conversation” with Paris, still going strong after 14 years, never ends.Pub Date: March 1, 2006
ISBN: 0-06-083288-6
Page Count: 352
Publisher: Perennial/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2006
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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